Random Desire

Random Desire doesn't necessarily sound like the Afghan Whigs in their glory days, but it does a much better job of summoning the emotional energy and musical tension that made Congregation and Gentlemen classics, and it's the best music he's made since the end of the Whigs' first era.

Random Desire is striking in its unified exploration of what comes after — years after — a heartbreak. Not a mere collection of 10 songs, it is an album in the classic sense, each track as essential as a chapter in a book or a scene from a movie.

As much as it draws from Dulli’s dog-eared little black book, Random Desire features its share of inspired tangents, when he forgoes the elaborate full-band effect to embrace the mad-scientist possibilities of his solo set-up.

As a whole, the album is a surprising turn for an artist who built much of his legend on self-loathing, brooding, and yearning (both existentially and carnally).

Existing fans will take this in stride since it’s cut from a dense cloth that Dulli has been stitching for the majority of his nearly 30 year career. They will find plenty here to pore over and try to untangle. Newcomers may scratch their collective heads yet still appreciate Dulli’s unconventional, minor key songwriting, distinctive vocals and playing that, even with guests on every track, comes primarily from his mind and hands.