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Osborne still sings well, but, apart from the late swamp-dirty sequence of Baby Love, Hurricane and Poison Apples, deadly rock orthodoxy prevails.
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A fairly routine batch of middling-to-turgid funk numbers about lurrve performed with rather more duty than excitement.
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Her triumphant, long-awaited Righteous Love is no carbon copy of Relish, but that's because Osborne, who's always demonstrated open ears, has continued to develop as an artist and take on additional influences.