Rush!

With 17 mostly terrific songs (three sung in Italian), only one breaking the four-minute mark, the collection has the jittery intensity of a lion pacing before feeding time. ... Perhaps we could have done without the closing power ballad “The Loneliest,” but that’s the only misstep on an album that should thrust this band into worldwide superstar status.

With Rush!, Måneskin make good on their Eurovision rock promise, delivering an album that's campy, inspired, and thrilling all at the same time.

This is Måneskin’s big strength. The songs on RUSH! may not be particularly original, reading heavily from a well-thumbed big-riffs-and-god-times playbook, but they write a very good one, and play them with an energy that frequently boils over with exuberance.

When Måneskin tap into the youthful exuberance and fiery eccentricity that got them here in the first place, though, they’re still utterly unstoppable.

Rush! perfectly captures the sense of spontaneous authenticity that makes for a one-of-a-kind show. Måneskin continuously prove that outcasts deserve a good time, and they are here to give it to us.

The band's signature swagger and theatricality is present throughout, but there are moments of vulnerability and lamentation that add depth in all the right places.

Exhaustive and exhausting, ‘Rush!’ feels like the definitive word in this unlikely rock phenomenon – at its best, it’s a feral reminder of how entertaining the genre can be.

Thanks to co-producer Max Martin, who contributed to some of these tracks and knows his way around a hook, their version of rock is an aural food processor of stadium chants, processed-sounding beats, and wind-tunnel blare. Sometimes, an undeniable ear-worm emerges. ... It’s hard to tell how seriously Måneskin take any of this silliness. Certainly, being over the top suits them best.