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- Summary: The latest solo album for the singer/guitarist was produced by Timberland and Jerome "J-Roc" Harmon.
- Record Label: Interscope
- Genre(s): Rock, Alternative
- More Details and Credits »
Score distribution:
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Positive: 3 out of 19
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Mixed: 10 out of 19
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Negative: 6 out of 19
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What's more surprising than Scream's R&B bells and whistles (provided by überproducer Timbaland) is that Cornell almost succeeds at that goal without tarnishing his hard-rawkin' legacy.
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This is a startling new direction, and while not entirely successful, it confirms Cornell as a vocalist of versatility and strength.
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Scream may be the most compelling train wreck of an album in recent memory.
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The problem with Scream isn’t that Cornell is too much of an artist to go pop, it’s that the fit is so unbecoming.
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Timbaland, who has sprinkled his hip-hop fairy dust on weaker voices, rinses away Cornell's inherent dirt and power, and compresses the godfather of grunge until he squawks.
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It never seems like a collaboration, it seems like it was assembled by committee, discussed in boardrooms, farmed out to contract players and stitched together on computer.
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The record sounds phoned in, plain and simple, and its awkward concessions to cliche, its trash heap lyrical conceits, and its dopey production have a cumulative effect that would be insulting if it weren’t so transparently uninspired and uninteresting.
Score distribution:
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Positive: 38 out of 77
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Mixed: 4 out of 77
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Negative: 35 out of 77
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Oct 17, 2020Chris Cornell's voice does work well with Timbaland's production. This album has aged well.
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RickS.Mar 13, 2009This kicked my ass. While this is not usually my type of music, Chris Cornell made it happen.
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AndrewSMar 17, 2009
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SimGMar 13, 2009
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WilC.Mar 12, 2009
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sergem.Mar 18, 2009
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MikeHMar 10, 2009
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