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Jun 5, 2019For all the thrills that Pixx’s precocious ambition offers on Small Mercies, it’s Hannah Rodgers’ vulnerability and restless search for comfort within herself that drives it.
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Jun 26, 2019Small Mercies may not be quite as immediate as The Age of Anxiety, but it's fizzing with energy and ideas that prove that Pixx the right person to sing about what's wrong with the world.
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Q MagazineJun 6, 2019Rogers remains her forcefully idiosyncratic self throughout, endlessly impressive in her ability to draw on electro-pop history yet not be beholden to its past. [Summer 201, p.115]
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Jun 5, 2019With Dirt interlude pt. 1 and pt. 2, Rodgers structures the record to complement her narrative--leaving us with these three acts against misogyny, and again evidence of the sheer intricacies of talent that dance through the record.
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Jun 26, 2019There are far more high points than low, all of which indicates that Pixx’s third album could well be something very special.
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Jun 25, 2019Small Mercies doesn't highlight a single aspect of musicality within a track. Pixx doesn't take a riff and make it the centrally active part. The sum really is greater than its parts in Pixx's latest effort.
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Jun 21, 2019Small Mercies is not a complete success, but Pixx’s creative voice remains unique.
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UncutJun 5, 2019Lyrically, Rodgers can be stilted and adolescent at times, but she hits the sweet-spot on the compellingly stern electro-goth chant "Disgrace" and the terrific title track. [Jul 2019, p.33]
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Jun 5, 2019The end result is a rewardingly eclectic mix, if not slightly discombobulating.
User score distribution:
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Positive: 4 out of 6
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Mixed: 2 out of 6
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Negative: 0 out of 6
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Jun 16, 2019Ace second album, especially the first five songs. Title track is excellent.