- Critic score
- Publication
- By date
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SpinThese airy confections of analog-synth purrs and Chicago brass and Laetitia Sadier's obliquely humanist lyrics are distinguishable from one another by tone palette more than by hooks or style. [Oct 2001, p.126]
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UrbListeners hoping for a radical departure from previous outings may be disappointed to find that the disc doesn't necessarily break new ground... [Sep 2001, p.152]
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Offers the sound of Stereolab doing what they do best. Love it or hate it, it won't alter the world, it just is.
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BlenderThis collection seems less pointlessly abstract than 1999's similarly staffed Cobra and Phases. [Aug/Sep 2001, p.130]
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Much of the music's electronic undertow has receded, leaving Laetitia Sadier and Mary Hansen's airy melodies and counter-melodies stranded in gassy lounge-pop compositions that sound merely retro instead of retro-futuristic.
Awards & Rankings
User score distribution:
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Positive: 14 out of 19
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Mixed: 0 out of 19
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Negative: 5 out of 19
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JonathanGFeb 20, 2006
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LeonardoFOct 25, 2005we'll miss you, mary.
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MattVMar 13, 2004my favourite album of all time...absolutely beautiful...