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State of Ruin Image
Metascore
75

Generally favorable reviews - based on 6 Critic Reviews What's this?

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  • Summary: The debut full-length release for the British grime/trap producers Tom E Vercetti, Chemist and Lovedr0id features guest appearances from Kuedo and WWWINGS.
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Score distribution:
  1. Positive: 4 out of 6
  2. Negative: 0 out of 6
  1. Feb 14, 2019
    80
    State Of Run doesn’t reinvent the wheel: it touches on the arch grandeur of Varg, the trap-leaning stutter of Planet Mu labelmates Sinjin Hawke and Zora Jones, and the deconstructive spirit of 2013/14-era Goon Club Allstars. But the trio’s attention to detail shines through, and the full-length format gives them space and time to execute their rich visions.
  2. Feb 14, 2019
    80
    Everything about the album inhabits its own environment, occupying its own sense of time and space. By taking these various, often antagonistic and contradictory elements and shaping them into something new, the trio have created a deep and absorbing album.
  3. Feb 14, 2019
    80
    Frightening and utterly exhilarating. The rest of the album isn't as overtly violent, but it's no less captivating, and it confirms the Assassins' mastery of building apocalyptic sound worlds.
  4. 75
    State of Ruin is as successful in embracing the genre's menace as it is subverting it, revelling in the fist-pounding and neck-snapping as much as dream-like and beatless. All in all, a solid debut.
  5. The Wire
    Apr 3, 2019
    60
    State Of Ruin is a typically pristine offering from Planet Mu’s UK roster of trap and grime inspired producers, at once displaying high definition composition of dynamic bass pressure without really producing anything hugely exciting. [Apr 2019, p.50]
  6. Feb 26, 2019
    50
    This is digital automation entering the flow of the socio-linguistic, or stark outlooks amidst techno-financial mind-control. This is the sound of a colorless decline.
Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Feb 19, 2020
    9
    Everything about the album inhabits its own environment, occupying its own sense of time and space