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Klaxons' ambition to stand apart from the grey indie hordes, to race by in a blur of outlandish rhetoric and pupil-dilating intensity, is admirable, but there are too many road bumps on this particular trip.
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This idealism, along with the music's sheer density and strangeness, will fascinate some--but while While Surfing the Void's admirable boldness is hard to dismiss, it's also not especially easy to like. Ultimately, it's a difficult album on many levels.
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MojoThe gap between theoretical mind-blowing freakout and actual indie underpinnings remains acute, however, as Venusia and Valley Of The Calm Trees suggest Klaxons may just be Mansun with a faster processor. [Sep 2010, p.103]
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UncutThe result can be a thrilling hybrid of Muse and Magazine, but also a bit of a dog's dinner. [Sep 2010, p.96]
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Klaxons, if you're going to shout in our ears a bunch, can you at least have something to say?
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In defence of Surfing the Void, it's certainly not an album I'd describe as 'bad' per se--it's just a massive disappointment.
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Surfing The Void unfortunately isn't a break-through or even a repeat of the past success.
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Yet whereas Myths of the Near Future was often psychotically fun, Surfing the Void finds Klaxons taking their genre rock shtick way too seriously.
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It's more or less a corporate-rock distillation of nu-rave, three years too late.
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The hooks are in short supply, and the production, as on "Flashover," overstuffed and claustrophobic. That cat photo almost saves the day, but not quite.
User score distribution:
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Positive: 22 out of 28
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Mixed: 4 out of 28
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Negative: 2 out of 28
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Aug 23, 2010
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Mar 14, 2020