• Record Label: RCA
  • Release Date: Jul 30, 2021
Metascore
71

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 14
  2. Negative: 1 out of 14
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  1. 80
    It all feels highly personal, with Antonoff still channelling underdog status on songs such as How Dare You Want More. There’s plenty of filigree too: string arrangements by Annie “St Vincent” Clark, input from Warren Ellis and a writing credit for Zadie Smith.
  2. 80
    It might not leave you feeling as euphoric as what’s come before, but its lingering sensation is a testament to the power of Antonoff’s immersive songwriting.
  3. Jul 30, 2021
    80
    More mature than either Strange Desire or Gone Now but just as life-affirming, Take the Sadness Out of Saturday Night is a refreshingly different perspective on Bleachers and a heartfelt soundtrack to millennial midlife crises.
  4. Jul 29, 2021
    80
    While ‘Take The Sadness…’ may not be a bolshy, career-defining move, it is a shimmering, reflective gem, hoping to offer a little relief from the darkness.
  5. Jul 30, 2021
    75
    While lacking the consistency and pure inspiration of Strange Desire, easily among the finest albums of its decade, Take the Sadness Out of Saturday Night exceeds the value of its predecessor Gone Now.
  6. Jul 30, 2021
    72
    Sometimes, however, the grandness of Antonoff’s sonic vision is squandered by studio production. ... While “Take the Sadness Out of Saturday Night” is perhaps not as conceptually ambitious as 2017’s “Gone Now,” the album beautifully tells the story of a man caught between his past and his future; between New Jersey and New York.
  7. Jul 30, 2021
    70
    While this record's predecessor was the definition of a mixed bag, Take the Sadness Out of Saturday Night is markedly reliable - a product that you're likely to either take or leave in its entirety.
  8. Jul 29, 2021
    70
    Bleachers’ most cohesive effort. But it doesn’t quite match the grandiose expectations Antonoff’s laid out for himself as an artist who wants to make albums, not just songs.
  9. Aug 2, 2021
    62
    It’s a confused album that sounds like it wants to sit on the shelf next to do-it-all pop savants like Jeff Lynne or Todd Rundgren, yet retreats to the safety of Antonoff’s alt-pop impulses before anything spectacular really develops.
User Score
8.5

Universal acclaim- based on 33 Ratings

User score distribution:
  1. Positive: 28 out of 33
  2. Negative: 1 out of 33
  1. Jul 30, 2021
    10
    In Bleachers’ third album, producer of Taylor Swift, Lana Del Rey, St. Vincent & many more - Jack Antonoff proves once again he’s a popIn Bleachers’ third album, producer of Taylor Swift, Lana Del Rey, St. Vincent & many more - Jack Antonoff proves once again he’s a pop powerhouse. This record seems so out of place in today’s world yet also more relevant than ever in this current time. From the slow strums of electric guitars to the 90 second sax pieces, this album encapsulates every era of music. From 60s jazz to 80s synths to modern day beats, Bleachers is even more at home on this record than the previous two - and proves that though Jack Antonoff may not be ready to step way out of his musical comfort zone quite yet, he’s still thriving in the world of music. Full Review »
  2. Jul 30, 2021
    10
    Thoroughly enjoyable full-length EP brings back a well-known music style from the past to the present day in the most pristine conditions.
  3. Jul 30, 2021
    8
    I understand Jack Antonoff pulled this one off on a break from FUN. I was little taken aback by the lack of production value in the recordingI understand Jack Antonoff pulled this one off on a break from FUN. I was little taken aback by the lack of production value in the recording I wondered if they recorded it live at the Stone Pony. Just to be sure, I found You Tube videos of a few of the same songs and found it to be crisper and more in line with the audio I would expect from the Bleachers. The writing is solid with a couple of hits like "Stop Making This Hurt" and the sax backing is a welcome listen. It is just fun! Full Review »