• Record Label:
  • Release Date:
Tell 'Em I'm Gone Image
Metascore
69

Generally favorable reviews - based on 13 Critics What's this?

User Score
tbd

No user score yet- Awaiting 1 more rating

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
Buy On
  • Record Label: Legacy
  • Genre(s): Folk, Singer/Songwriter, Pop/Rock, Contemporary Singer/Songwriter, Contemporary Pop/Rock, Album Rock, Soft Rock, AM Pop
  • More Details and Credits »
Score distribution:
  1. Positive: 6 out of 13
  2. Negative: 0 out of 13
  1. Oct 28, 2014
    83
    It’s Cat Stevens singing rhythm and blues, with a combination of originals and covers that showcase attractive playing (legendary guitarist Richard Thompson helps here) and production (cue Rick Rubin). Best of all, his voice remains intact, providing a familiar and favorable sound.
  2. Oct 28, 2014
    80
    The singer-songwriter co-produces with Rick Rubin accentuating immediacy and intimacy. The originals, especially a poppy, introspective “Cat & the Dog Trap” and trenchant “Gold Digger,” are among his finest since resurfacing in 2006.
  3. Oct 27, 2014
    75
    His well-documented spiritual quest, prime fodder for his songs even when he was pop-star Cat Stevens, remains his primary subject, but there is a toughness here that we're not used to hearing from the reflective singer-songwriter.
  4. Oct 27, 2014
    60
    With Rick Rubin co-producing, there's a bluesy toughness to the anti-capitalist jeremiads "Big Boss Man" and "Gold Digger," while "Cat & the Dog Trap" recalls the simple folky prettiness and direct, easeful messages that made him a Seventies icon.
  5. Dec 5, 2014
    60
    This is no modest return, either. It’s produced by Rick Rubin, rock’s very own St Jude, and features Richard Thompson, Charlie Musselwhite, Bonnie ‘Prince’ Billy and Tinariwen, so it all sounds rather lovely despite the variety of styles.
  6. Mojo
    Nov 19, 2014
    60
    A tentative return at best. [Dec 2014, p.89]
  7. 58
    The production and playing are beautiful throughout the album, and Yusuf’s voice remains remarkably preserved, still able to instantly spring from gentle introspection to emphatic eruptions. The record as a whole does suffer, though, from certain cover choices.

See all 13 Critic Reviews

Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of