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The Beekeeper returns the quirky singer to the same whimsical terrain of 1992's Little Earthquakes, but with much stronger storylines, and a much more assured and nuanced voice.
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Los Angeles TimesShe's been de-emphasizing hysterics for a while now, and here she mostly sings prettily, but still powerfully. [6 Mar 2005]
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You can delve as deeply into the lyrics and musical brain-teasers as you like, but there's plenty of surface allure for anyone who just fancies a superficial graze.
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UncutAmos has never been in rangier voice. [Mar 2005, p.102]
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Her most down-to-earth album in years, because Ms. Amos has decided she doesn't have to pack every impulse into every song. Sometimes, now, a simple melody and a steady groove are enough. [21 Feb 2005]
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MojoShe keeps the mood focused and the music softly funky. [Mar 2005, p.92]
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It's an album that's unlikely to yield any massive hits, but like that other iconic singer songwriter, Joni Mitchell, Tori Amos has survived initial success to end up in a place where she has the space to do exactly what she likes in pretty much the only way she seems to know how.
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Entertainment WeeklyThe Beekeeper is the Tori Amos album for those normally freaked out by Tori Amos. [25 Feb 2005, p.99]
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Somewhere in here, there's a lovely, compact, cohesive little album. It just takes a little too much digging to find it.
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As a cohesive work, The Beekeeper holds together better than nearly any of Tori's more ambitious albums, but there's a certain artsy distance that keeps this from being as emotionally immediate or as memorable as her first two records.
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Tori Amos delivers some of the most accessible music of her career, coupled with beautifully obscure lyrics.
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The Beekeeper meanders too much to be riveting in the way Scarlet's Walk is.
Awards & Rankings
User score distribution:
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Positive: 136 out of 163
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Mixed: 17 out of 163
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Negative: 10 out of 163
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Aug 15, 2018This review contains spoilers, click full review link to view.
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Jun 22, 2016
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Feb 17, 2015