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Nov 8, 2018This is a magnificent and engaging record from one of our most beloved actors that both jazz aficiandos and neophytes should come to adore.
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Nov 29, 2018One of the many impressive aspects of the Capitol Studio Sessions is just how balanced Goldblum's skills are as he deftly moves his audience from perky vocal standards to swinging instrumental numbers--each transition aided, of course, with some very charming stage banter.
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UncutNov 8, 2018Goldblum knows his limitations and never sounds out of his depth. ... Good stuff. [Dec 2018, p.25]
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Dec 17, 2018Much of Goldblum’s banter has a you-had-to-be-there quality, like squinting at a friend’s blurry photos from a party you weren’t invited to. That makes The Capitol Studios Sessions feel more like a document of an experience than the main attraction. Goldblum's most devoted obsessives won't need much persuading to visit his club.
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Q MagazineNov 20, 2018Cantaloupe Island, for instance, hit the target, even if it's no match for the Herbie Hancock original. But with more cabaret material such as Me And My Shadow's louche duet with Sarah Silverman, you really wish you'd been there first time around. [Jan 2019, p.109]
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MojoNov 8, 2018Though humour abounds, there's also some serious musicianship on display, both from the mercurial Goldblum and his excellent band. [Dec 2018, p.90]
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Nov 8, 2018Bar an impressive freakout on “I Wish I Knew (How It Would Feel to Be Free)”, his piano playing rarely warrants centre stage. But his character--a kind of suave jazz-bar lech--is the heart of the show. ... As cash-in celebrity Christmas covers albums go, Goldblum’s has a lot of spark, and even a little soul.
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Nov 9, 2018Goldblum doesn’t bring nearly enough of his own unique persona to the performance; his band is competent without making any particularly interesting choices, and the only memorable moment comes from Sarah Silverman’s affable guest appearance.