The Crossing

The Crossing proves another way forward for our one-man Johnny Thunders, Joey Ramone, and Neal Cassady.

With The Crossing, Escovedo had put a new and compelling spin on the oft-told tale of the American dream as seen both from a distance and up close. In his hands, this story is both timeless and as up to date as the latest news bulletin, and it connects as great music and outstanding storytelling delivered by an artist who has a unique talent for both.

Escovedo and Don Antonio play with that search through country, rock, cool jazz, and more, reflecting chaotic but exciting sensory experiences. The Crossing, with its big scope and questionable coherence, can be a bit much, but it’s a welcome and valuable statement from an artist capable of pulling it off.

As with the best concept sets, you don’t need to follow the story, or even know there is one, to enjoy these songs, since most stand on their own. They may not be the best or catchiest ones Escovedo has written, but this is one of the most passionate, relevant, politically charged and personal projects he has released in a career pushing 40 years.

Whether the album is supposed to be taken as a contemporary tale or something closer to a retelling of Escovedo's personal history matters because, frankly, times have changed. This is why the album's most universal songs have the most resonance.