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The Cure have become journeymen, for better and worse, turning out well-crafted music that's easy to enjoy yet not all that compelling either.
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Brighter than Bloodflowers, denser than Wish, The Cure presents Smith as a wild-haired sorcerer's apprentice, conducting another mad symphony of infatuation and angst.
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Some of its most appealing material in recent memory.
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BlenderThey come off more than ever like a caricature. [Aug 2004, p.130]
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It's not a perfect record, but "The Cure" does achieve something quite remarkable and unexpected. It leaves you looking forward to their next one.
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Cure fans are certainly used to Smiths voice being high in the mix, but on this record it can be overwhelming and stifling.
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It's hard to imagine a set of songs that better reflects every phase the group has navigated through its turbulent career.
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Entertainment WeeklyAs with Prince on Musicology, Smith allows the Cure's current lineup to become his own tribute band. [9 Jul 2004, p.86]
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FilterStrangely timid in both its production choices and songwriting. [#11, p.92]
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If approached with a substantial amount of skepticism and wariness, The Cure is not a complete disappointment. In fact, it's often surprisingly good and sometimes even great.
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The lyric invention of past Cure albums is missing, but the pop transcendence emerges in fits.
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MojoThe recorded-live-by-candlelight performances documented herein aren't short on the kind of clamorous foreboding and twisted pop nous a fan of Disintegration or The Head On The Door might hope for. [Aug 2004, p.87]
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New Musical Express (NME)Startling from the first listen... the band are heavier, more menacing, more rhythmic than ever. [19 Jun 2004, p.55]
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Invoking Disintegration is ridiculous, but The Cure is remarkably more thrilling a listen than the band's most recent guitar-heavy predecessors.
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Keep giving it a whirl though and it becomes something rather exquisite.
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Not the fresh start the band truly needed, The Cure at least succeeds in validating the current lineup of the band, as it is a compelling reminder of what made the Cure so great for so long.
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Q MagazineThis is The Cure sounding a lot like The Cure. Never a bad thing, just a familiar one. [Aug 2004, p.107]
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The new album is their most adventurous and passionate since Disintegration.
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Much of The Cure slogs along at the same churning, monotonous pace, and Smith, rambling in a croak-shout variation of his normal singing voice, does the material few favors.
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SpinIf The Cure feels like a recapitulation of the band's career, it's because they've recorded songs very much like these before. [Aug 2004, p.103]
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There are entirely too many nods to the past for this album to be a fresh start, yet it refuses to slip comfortably into place in their catalogue.
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Nothing on The Cure really soars.
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Strikes a near-perfect balance between the various facets of the band's history.
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This is a much better effort than anything they've done in quite some time.
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UncutThis is a thrilling album, one that contains an extremity of sound and emotion that's unlikely to be matched by anyone else this year. [Album of the Month, Aug 2004, p.90]
Awards & Rankings
User score distribution:
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Positive: 50 out of 63
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Mixed: 6 out of 63
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Negative: 7 out of 63
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Mar 25, 2016
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Nov 5, 2015
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Jan 30, 2014