User Score
Universal acclaim- based on 118 Ratings
User score distribution:
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Positive: 94 out of 118
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Mixed: 5 out of 118
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Negative: 19 out of 118
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dannycJul 20, 2006anthony & the johnsons with a cinematic immensity or 21st poetry with an arthouse soundtrack > it's genuine enough not to be pretentious, just frickin hard for anyone else to catch any of the abstract wavelengths that this 'epic' floats on...
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madslJun 6, 2006If you approach The Drift like a theater play you will probably find it bewitching and quite unique. The problem is that you seldom sit through a play more than once...and The Drift gets quite boring and portentous on repeated listens. After all this is an album of music not some far-out cabaret experiment!
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othosticeJul 9, 2006I respect what Scott Walker attempts to do every ten years or so, and sometimes, as with parts of Tilt, the results are impressive and even listenable (e.g the Jacques Brel covers). Alas, for all his Walker's aestheticism, this CD will join Neil Young's WELD and Lou Reed's METAL MACHINE MUSIC in the "records to empty a party at 3 a.m" hall of fame.
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Awards & Rankings
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Even at its most dissonant and abstract, this record is human to the core, and if you're ready to face a few demons, it's as inspiring as music gets.
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His effort to make the most tense, uncomfortable record in the world has resulted in something that actually feels pretty straightforward, uncomplicated, and digestible.
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The Drift--in all its nightmarish, bloody glory--is as bold and profound a comment on our times as has emerged so far this century.