- Critic score
- Publication
- By date
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SpinWhile the novelty factor alone makes it worth the download time, it works as a cohesive album long after the initial shock wears off. [Apr 2004, p.91]
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Entertainment WeeklyA startlingly, shockingly wonderful piece of pop art. [19 Mar 2004, p.64]
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For what it is, for what it does, for what it represents and for exposing the idiocy of people who only care about 'what it earns us', then, a truly, TRULY great pop record.
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The WireOne of the year's best releases, remix or not. [#241, p.71]
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Dangermouse's actions have breathed creative life back into a 35-year-old record while inventing a completely new work of hip-hop art.
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The diversity of the mixes on The Grey Album also is a testament to how carefully Danger Mouse has cut and pasted together his unauthorized sonic pastiche.
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Q Magazine[Makes] two known quantities thrillingly new. [May 2004, p.101]
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Each of the 12 tracks on the Grey Album is finely tuned -- the precision cut-and-paste sampling DM exhibits is often mind-blowing.
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While The Grey Album is truly one of the more interesting pirate mashups ever done, it ultimately fails at the hands of perfectionism with several pieces sounding rushed to beat some other knucklehead to his clever idea.
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The concept does start to wear thin towards the end of the CD, and the recontextualized product is inherently one sided: it's the Beatles' soundtrack that is made to dance around Jay-Z's unedited verses.
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UrbThis'll retain its heat only until everyone's heard it. [Apr 2004, p.88]
Awards & Rankings
User score distribution:
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Positive: 41 out of 47
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Mixed: 0 out of 47
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Negative: 6 out of 47
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Apr 28, 2021
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GMoneyJul 20, 2009
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AnonY.Apr 30, 2009