by
Robert Ellis
- Record Label: New West
- Release Date: Feb 11, 2014
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UncutFeb 11, 2014Ellis' purist, even traditionalist, voice is the perfect vessel for his sanguine portraits of ordinary people, battered and bruised but never without hope. [Mar 2014, p.72]
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Feb 11, 2014Ellis broadens his musical reach beyond deadly accurate classic country to often austere arrangements that reflect his small etchings of real life without aggressive genre-coding.
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Feb 28, 2014It's an elusive and subjective notion, but it's impossible to listen to this rich, remarkable album and not be left thinking that this is the sound of Ellis coming into his own.
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Feb 27, 2014It is a marvellous creation from a premiere talent, and deserves both your time and hard-earned money.
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Feb 11, 2014[A] gut punch of a third album of downcast roots music and soft, soft rock.
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Feb 11, 2014The Lights from the Chemical Plant is an inspired, mercurial record, by an artist who cares deeply for tradition, but refuses to be bound by it.
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Feb 11, 2014It’s the personal narratives that are the most poignant.
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Feb 14, 2014Producer Jacquire King (Tom Waits, Kings of Leon, Norah Jones) gives each song a poppy slant even when the lyrical content wrestles with the jetsam of life.
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MojoApr 23, 2014An album that falls between traditional and progressive country stools. [May 2014, p.89]
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Feb 28, 2014Despite his desire to move more towards pop on this third album, Robert Ellis can’t prevent his country roots showing through.
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Feb 13, 2014As the storyteller in these songs, Ellis injects just enough emotional distance between himself and the subject matter to prove that there is another side. And that’s where he lives. It might not be airy and bright, but there is solid ground under his feet.
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Feb 11, 2014The young Texas songwriter, who has proved his honky-tonk chops onstage, takes this opportunity to offer 11 expansive folk-pop songs that are closer in weary spirit to Paul Simon.
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Mar 12, 2014Part of the problem remains in Ellis' reedy voice, which mutes the impact of the songs like the soul-stirring title track and a misplaced cover of Paul Simon's "Still Crazy After All These Years."