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Oct 12, 2020Despite tracks such as “I Pray” and “Save The Day” re-treading the Disney dewiness and naïve optimism of Carey’s earlier ballads, the hardening of the singer’s artistry is palpable across the record.
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Oct 5, 2020Many of the songs are strong, but they largely bolster the story Carey has long been telling. The more revealing document, however, might be the second disc of the release: “Live at the Tokyo Dome,” her first concert in Japan, recorded in 1996. This is Carey at the peak — one of the peaks, at least — of her vocal authority and pop fame.
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Oct 5, 2020Even though this is a collection of tracks that, for whatever reason, didn’t make the final cut of her studio albums, she never lets us see her sweat and she’s not about to start now, so don’t expect to find any stains here.
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Oct 9, 2020Chronologically sequenced, it presents an alternate, semi-secret MC timeline. It starts with an upbeat Mariah Carey outtake, ends with a 2020 acoustic version of Butterfly track "Close My Eyes," and more importantly contains some prime B-sides.
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Oct 5, 2020The result: essential listening for members of the Lambily – Carey’s famously loyal fanbase – and an intriguing, sometimes fascinating artefact for everyone else.
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Oct 5, 2020“Here We Go Around Again,” an unreleased song from Mariah’s demo tape, and “Can You Hear Me,” a Whitney-esque piano ballad from the Emotions sessions, find her in fine voice but offer little insight into Mariah the burgeoning artist. By contrast, a live rendition of the jazz standard “Lullaby of Birdland,” recorded during her 2014 tour, allows Mariah to fully exploit the imperfections of her voice, lending the performance a lived-in authenticity often missing from the earlier tracks.
User score distribution:
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Positive: 91 out of 236
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Mixed: 86 out of 236
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Negative: 59 out of 236
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Nov 3, 2022
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Nov 4, 2022
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Nov 9, 2022The 9/11 Lady should have kept this one unreleased, its slow boring and dull.