- Critic score
- Publication
- By date
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And though the album sags a little towards the end, with a few shorter instrumental numbers, it’s still an invigorating journey, a caravan of cavorting musicians, careening through the countryside, stopping only to play festivals and funerals.
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Another stellar song collection.
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UncutVivid, diverse and faintly trippy. [Nov 2006, p.99]
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Barnes' accordion playing has grown leaps and bounds since Noon.
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MojoA set glorying in its sensual exoticism. [Jan 2007, p.102]
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If you liked Beirut, you’ll love this.
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A curious, klezmer-infested charm.
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The potency of AHAAH's genres of choice are both the album’s difficulty and strength; if you aren’t partial to Balkan brass, klezmer or mariachi, abandon all hope of sticking this one out.
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Q MagazineAn oddly affecting collage. [Dec 2006, p.132]
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Bleak and evocative.
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Under The RadarThis is his best yet. [#15]
Awards & Rankings
User score distribution:
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Positive: 11 out of 13
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Mixed: 0 out of 13
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Negative: 2 out of 13
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leirisNov 26, 2006Pretty good stuff here. Even more enjoyable than his previous two.
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GifthorseNov 5, 2006