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Apr 14, 2016With producer Shane Fontayne adding dimension and tension to the music, Nash’s first album of originals in 14 years is marked by hope and possibility shadowed by loss.
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Apr 11, 2016This is a no-frills type of record that prizes style over substance.
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Apr 13, 2016At times, the production carries an adult contemporary air reminiscent of Daylight Again, elsewhere it's as spare as he's ever been, and the two aesthetics blend into a record that's comforting yet not complacent. Nash is no longer looking at the past; he's looking at the future and he's embracing all the changes to come.
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UncutMar 25, 2016Even when the prevailing mood of introspective understatement threatens to sink into the maudlin or overwrought, there's an urgency about This Path Tonight that keeps things buoyant. [May 2016, p.77]
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Mar 25, 2016A gentle fleshing-out of tracks might’ve boosted it, but this is as close as the ever-youthful 74-year-old has yet come to doing an American Recordings. Autumnal, rather than valedictory.
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Mar 25, 2016Actually, resigned existentialism suits Nash well on his lean, reflective new set.
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Apr 22, 2016When it hits it really hits, as on the loved-up Target and the delicately hewn Myself At Last. But when it misses it really misses.
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Apr 13, 2016Whatever his anxieties, it’s never less than gently engaging.
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MojoMar 25, 2016It's a mix of acoustic and occasionally stodgy soft rock with a message of peace and positivity to all men and women. [May 2016, p.88]
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