• Record Label: Matador
  • Release Date: Sep 23, 2014
Metascore
87

Universal acclaim - based on 31 Critic Reviews

Critic score distribution:
  1. Positive: 31 out of 31
  2. Mixed: 0 out of 31
  3. Negative: 0 out of 31
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  1. Sep 25, 2014
    100
    Too Bright boasts harder-hitting lyrics, more sophisticated arrangements, and his best-fitting production yet. Its musical successes are obvious in their immediacy and variety.
  2. Entertainment Weekly
    Sep 29, 2014
    91
    Even the moments between the standouts float by with a strange beauty. [3 Oct 2014, p.69]
  3. 91
    It takes him--and the listener--way out of the comfort zone, a shift that suits his tendencies wonderfully.
  4. Sep 24, 2014
    91
    Despite its heightened complexity, Too Bright still fosters an intelligible world where Hadreas can bridge the distance between his vulnerability and self-assuredness.
  5. Sep 23, 2014
    91
    What results is at times noisy, at times beautiful, and always captivating.
  6. It's a record full of beauty and heartache, confidence and fear, and these ends pull at each other for one of the most captivating records to come out this year.
  7. Sep 25, 2014
    90
    Glittered with transcendent brilliance, gilded shadows do not hide the empowered dramatic turn of Perfume Genius’s Too Bright.
  8. 90
    Hadreas finally appears to have found a sound palette as provocative, forward-thinking and confrontational as his vehement, brave lyrical style.
  9. Sep 17, 2014
    90
    Too Bright is a near immaculate work. It’s bold but vulnerable and finds Hadreas taking risks in structure, content and sound.
  10. Sep 16, 2014
    90
    It’s not the easiest of pop albums to listen to but its raw power makes it a dazzling triumph.
  11. Sep 16, 2014
    90
    Too Bright is a strident and bold statement from an artist who has finally undone the knot of his past. It won't be the record which brings him mainstream success but it will be the record that frees him from the pigeonholing of his bruised and broken singer-songwriter image.
  12. Sep 23, 2014
    85
    These songs feel less like songs and more like treasures, ones that fill you with power and wisdom, and as a result, Too Bright seems capable of resonating with, comforting, and moving anyone who's ever felt alienated, discriminated against, or "other-ized," regardless of sexual orientation.
  13. Sep 23, 2014
    83
    While Hadreas’ lyrics made the most powerful moments of Perfume Genius’s 2010 debut Learning and 2012’s Put Your Back N 2 It, Too Bright folds its words into startling, varied instrumental textures.
  14. Magnet
    Nov 12, 2014
    80
    Too Bright highlights the moments of buoyancy that dotted his first two outings--both of which sounded nothing if not dour on first listen--and setting the stage for Hadress as one off the most compelling new American songwriters of the last half-decade. [No. 115, p.61]
  15. Mojo
    Nov 7, 2014
    80
    It is a deeply odd but consistently compelling work. [Nov 2014, p.98]
  16. Oct 30, 2014
    80
    As with many works that get tagged as major breaks from an artist’s established work, truthfully much of Too Bright still feels very much like the work of the Perfume Genius, and anyone looking for more of what they got from past albums will be very satisfied.
  17. Q Magazine
    Oct 3, 2014
    80
    Too Bright finds him more sparky and more mettled. [Nov 2014, p.116]
  18. Oct 1, 2014
    80
    Few artists in this day in age take self-expression through art to heart like Hadreas does as Perfume Genius, and with the sensitive confidence that radiates from Too Bright, he’s mastered in a way few artists never do.
  19. Sep 30, 2014
    80
    Equally bold, vulnerable, concise, and expansive, Too Bright dazzles.
  20. Sep 30, 2014
    80
    Too Bright creates a captive audience in its effusive refusal to let you look away.
  21. Sep 25, 2014
    80
    As Perfume Genius, American singer/songwriter Mike Hadreas has become synonymous with dark and emotionally heavy piano dirges that are as vulnerable as they are elegant. His third album contains many such songs, but also ratchets up the drama with help from co-producer Adrian Utley of Portishead.
  22. Sep 22, 2014
    80
    The material more than matches the ambition on these 11 bewitching songs.
  23. 80
    It's a collection of enthralling confessionals where stabs of bleakness mean that heavy bleeding dominates.
  24. Sep 22, 2014
    80
    Perfume Genius has begun to spread his wings, delivering a breakout release that relies on much more than his manic/mopey persona.
  25. Sep 18, 2014
    80
    Not every effect works (the gloom of I’m a Mother is too airless, the electronic pulse of Longpig too enervating), but on the whole, it’s hypnotic.
  26. Sep 18, 2014
    80
    The darkness was always there, in Hadreas, in the songs, but now it’s in the music, Too Bright, to sound ridiculously over the top, has darkness in its soul.
  27. Sep 16, 2014
    80
    None of these songs are particularly complex and they're all the more brilliant for it. [Sep/Oct 2014, p.78]
  28. Sep 16, 2014
    80
    Too Bright is a diverse, multi-faceted and all-absorbing slice of sheer mastery.
  29. Nov 26, 2014
    70
    He lacks the humour, more explicit angst and emotional confidence of John Grant and lacks Garneau's devotion to melodrama and pop. He is hardly Stephin Merritt. He exists independently as a cultural explorer as well as simply a very fine, very sensitive songwriter.
  30. Sep 23, 2014
    70
    His ambitions are even greater on his third album, which demands attention in a way his quietly heartbreaking music hasn't in the past.
  31. Sep 22, 2014
    70
    Nothing here sounds revolutionary or even especially distinctive, but Hadreas has successfully conceived of a new context for his raw lyrical approach, opting for a jagged, complex collection of bedroom pop over another sparsely appointed set of torch songs.
User Score
8.3

Universal acclaim- based on 119 Ratings

User score distribution:
  1. Negative: 7 out of 119
  1. Jan 12, 2015
    10
    Perfume is really a Genius and he show it in this album. So creative, unique and celestial. He can be what he wants around screams andPerfume is really a Genius and he show it in this album. So creative, unique and celestial. He can be what he wants around screams and whisperings, feelings and reactions. He's really the best male artist that released an album on 2014. Full Review »
  2. Sep 23, 2014
    10
    I only recently discovered Perfume Genius when the video for "Queen" came out a few months ago, so I may be a little biased. However, afterI only recently discovered Perfume Genius when the video for "Queen" came out a few months ago, so I may be a little biased. However, after watching that masterpiece of a music video, I quickly purchased Learning and Put Your Back N 2 It and listened to them both on repeat for the next several weeks in anticipation of Too Bright's release. Those two albums, almost painfully beautiful in their simplicity and emotional resonance, are clearly more related to each other than either is to Too Bright, but I don't see that as a bad thing. In fact, some of the sonic leaps Perfume Genius takes on Too Bright are, well, genius. All the same emotions, pulsating and cathartic as they are, are still present, but on Too Bright, Perfume Genius raises the stakes by exploring and experimenting with sounds, textures, reverberations, and distortions that only lend to the overall emotional impact of his music. Mike Hadreas is a true artist in every possible sense of the word, and part of being an artist is pushing your boundaries and never remaining static. Too Bright is just another step in the evolution of Perfume Genius, and as his third nearly flawless album--and his most over-the-top in terms of production--it is a work that should cement his place in the annals of music-as-art history. Full Review »
  3. Sep 24, 2014
    10
    The best album of the year so far. Lyrically powerful and straightforward. Not for right wing limited minds but likely to be cherrished byThe best album of the year so far. Lyrically powerful and straightforward. Not for right wing limited minds but likely to be cherrished by anybody else. The piano from earlier works now supported with synth arrangements and Adrian Utley (Portishead!) help. No family is safe when I sashay... Full Review »