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MojoMay 25, 2023Her lovers rock take of Patsy Cline's Walking After Midnight further strengthens reggae and country's fine romance, and who could have predicted that Morrissey's Everyday Is Like Sunday would sound like an out-take from the Special AKA's IN the Studio when reworked as rocksteady with woozy horns? [Jul 2023, p.82]
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The WireMay 25, 2023Here Dakar covers country with “Walking After Midnight” and “Love Hurts”, but the outstanding cuts are her takes on The Kinks’ “Stop Your Sobbing”, as once claimed by The Pretenders, and a remarkably affecting reggae treatment of the old Louis Armstrong chestnut “What A Wonderful World”. [Jun 2023, p.64]
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May 25, 2023The voice charms at every turn, brimming with personality on what might just be the party album of the year.
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UncutMay 25, 2023She threads Lou Reed's vocal rhythm over the band's brisk skank on "Hangin' Round", while "Song To The Siren" and "The Man Who Sold The World" slip with similar ease into reggae mode. [Jul 2023, p.24]