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Versions of Modern Performance Image
Metascore
82

Universal acclaim - based on 17 Critic Reviews What's this?

User Score
4.9

Mixed or average reviews- based on 16 Ratings

  • Summary: The debut full-length release for Chicago noise rock trio Horsegirl was recorded by John Agnello.
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Score distribution:
  1. Positive: 16 out of 17
  2. Negative: 0 out of 17
  1. Jun 3, 2022
    90
    They've tapped into the source of indie rock's greatness like few bands have been able to and Versions of Modern Performance isn't merely a homage or a neat trick, it's another very strong, very satisfying link in the chain connecting past to present.
  2. Jun 2, 2022
    85
    Truly there are no weak tracks on Versions of Modern Performance, where even the handful of instrumental snippets (“The Guitar is Dead 3” echoes Daydream Nation’s “Providence”) serve as transitions to some of the album’s most muscular songs. Over the course of the album, Horsegirl show they can tackle all manner of post-punk territory, while never losing focus on the value of a well timed hook or buried melody.
  3. Mojo
    Jun 1, 2022
    80
    The trio's debut album is rich in textural sophistication, carving hooks from fidgety harmonics and swooning whammy-bar abuse. [Jul 2022, p.86]
  4. Compelling from its first note to its very last, the record presents a band who, yes, are still in their infancy, but clearly know who they are and what that sounds like.
  5. Jun 3, 2022
    80
    It’s very difficult to read anything even vaguely meaningful into lines like “while Emma eggs her head she looks the same” (World of Pots and Pans). It’s the only element of this album that serves as a reminder of its creators’ inexperience – the rest is a masterclass in a new kind of classic rock.
  6. Classic Rock Magazine
    Jun 30, 2022
    80
    Anti-glory's an easy in, but you'll need to retune your ears to Horsegirl's particular frequency before this debut reveals its full brilliance. [Summer 2022, p.79]
  7. Jun 14, 2022
    60
    Sometimes their vocal melodies aren’t particularly strong. Yet those songs seem to be written to have the vocals at their center. Instead, they end up as tracks with really solid rhythmic backing, interesting guitar playing, and a sort of void where the song’s primary focus should be. The good moments here are worth lauding, but the trio could use a few more of them.

See all 17 Critic Reviews

Score distribution:
  1. Positive: 3 out of 4
  2. Negative: 0 out of 4
  1. Jul 16, 2022
    9
    A debut from a Chicago trio of women who know how to play their instruments well, and with a determined focus on setting the world on fire.A debut from a Chicago trio of women who know how to play their instruments well, and with a determined focus on setting the world on fire. Give me more please! Great punk rock, indie, noise rock, whatever Sonic Youth or Pixies comparison you want to throw at them, they are a treat to my ears and can't wait for a second and third album to see further growth to knock my socks off again. Move over CarSeat Headrest.... there is a new indie darling in town. Great tight live show in Vancouver last night! Give this a listen! Expand
  2. Nov 30, 2022
    9
    The album is the type that will have listeners playing “Spot the Influence,” and while the band do wear their many influences on their sleeveThe album is the type that will have listeners playing “Spot the Influence,” and while the band do wear their many influences on their sleeve (indie rock band from the ‘80s and ‘90s). i discover moments where their own identity begins to shine through. Expand
  3. Jun 3, 2022
    9
    This Chicago trio just rips in their debut album that has a very Sonic Youth meets the Joy Formidable with hint of Radiohead experimentationThis Chicago trio just rips in their debut album that has a very Sonic Youth meets the Joy Formidable with hint of Radiohead experimentation thrown in. Anti-glory and Billy start and end the 12 song effort and this is one of the more enjoyable albums of the year so far. Very, very cool stuff. High marks. Expand
  4. Jun 7, 2022
    4
    I listened to six tracks of nothingness and stopped there, assuming there'd be six more.

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