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It's rich, often funny material, but in Cuomo's ambition to make a career-sweeping tour de force-- telegraphed by the band's choice to return to estimable producer Rick Rubin--he badly overcooks the musical porridge, layering on overdubs, packing songs with key-change modulations and meandering instrumental codas, and generally refusing to hone and self-edit.
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Aside from a few missteps like 'Everybody Get Dangerous,' there really isn’t anything to get all pissy about here because it’s an older Weezer willing to take a few chances and still doing what they want to do.
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Weezer's third eponymously titled album sees the progenitors of emo still frantically chasing their tail.
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Just download the good stuff or buy the album and don’t expect much from Rivers because he never really gave you more than a few minutes of cheap thrills in the first place, which is plenty to thank him for.
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MojoThe Rick Rubin and Jacknife Lee-produced follow-up to 2005's "Make Believe," finds Cuomo precariously balanced btween amused/amusing self-obsessed and de facto narcissism. [July 2008, p.110]
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All in all, this is pretty good album and it is by no means horrible.
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A number of plays through and it’s still not clear who, exactly, the band are taking the proverbial out of: themselves, playfully and absolutely intentionally, or us, fans who’ve become conditioned to not expecting the best from a band who, personally, have been a shadow of themselves since that first ‘sequel’ release.
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Over all, this new CD relies on familiar formulas: twitchy, singalong choruses, lyrical and musical in-jokes and affable vocal harmonies. But it also feels disjointed and indulgent, packed with stylistic U-turns.
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Weezer dwells on his well-documented obsessions with bad girlfriends and geek nostalgia, but without the usual giddy, mathematically precise songcraft.
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Like the YouTube culture the "Pork and Beans" video depicts so well, the song--and this album--relies on a high quantity of short-lived pretty good ideas to distract from a shortage of great ones.
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Now we get Cuomo name-dropping Eddie Rabbit, Joan Baez and "a Cat named Stevens," which makes Weezer sounds like a retread of "Built To Spill," who did the recycled-classic-rock-cliché thing back in 1999. Did it better, too.
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Under The RadarThis is oddly like Carrie getting named prom queen--Weezer defying expectations with an early flurry of edgy pop tunes to start #6 with a bang, before it all goes horribly awry and the bad songs come down like a rain of blood. [Summer 2008]
Awards & Rankings
User score distribution:
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Positive: 126 out of 191
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Mixed: 36 out of 191
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Negative: 29 out of 191
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Aug 22, 2010
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BlakeWOct 5, 2008
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RJun 4, 2008