Metascore
78

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 11 out of 13
  2. Negative: 0 out of 13
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  1. May 1, 2020
    90
    One of his best albums and deserves better, confirming Damien Jurado to be an artist operating at the peak of his powers.
  2. 80
    Magical, mystifying and flush with finesse, it’s easily Jurado’s most enticing effort yet.
  3. May 6, 2020
    80
    For this 15th solo album, the songwriter beefs up his arrangements a tad, though only compared to the last album, not the lush psychedelic swirl of his Richard Swift-abetted Mariqopa records. Yet the songs remain plain and beautiful, their clean lines unfettered by too much volume or density, delivered in a voice that creaks sometimes but doesn’t falter as it runs up effortlessly into near falsetto range.
  4. May 6, 2020
    80
    What's New, Tomboy? isn't special because it is sparse. The album is special for how profoundly Jurado acknowledges what might be learned from the emptiness in this life, as well as from being still and waiting to be filled.
  5. May 6, 2020
    80
    Damien Jurado provides yet another quietly magnificent album. What's New, Tomboy? feels like a traveler finding new footing after a storm at sea.
  6. Q Magazine
    May 5, 2020
    80
    If you've ever half-enjoyed an Eels album, What's New, Tomboy? will make you swoon. [Jul 2020, p.109]
  7. Mojo
    Apr 30, 2020
    80
    It sounds as spare and intimate, as if Jurado were singing inside your head. The songs are up there with his best. [Jun 2020, p.91]
  8. May 12, 2020
    73
    Despite What’s New, Tomboy?’s enlivened arrangements, the most interesting element is his lyrics, packed with fragments of daily life and ruminations on death.
  9. Uncut
    Apr 30, 2020
    70
    The songwriter digs into the sound of his intense inner voice here. [Jun 2020, p.33]
  10. Apr 30, 2020
    70
    What's New, Tomboy? is another moving collection of American snapshots from the troubadour, if likely less memorable than his higher-contrast outings.
  11. Apr 30, 2020
    66
    As a whole, Tomboy is a success, but its short runtime and somewhat underdeveloped arrangements leave the impression that Jurado was more concerned with just getting this set of songs released, rather than making sure they expand his extensive catalog in a meaningful way.
  12. May 6, 2020
    60
    Twenty-five years into it, Jurado can still write compelling, emotionally powerful songs driven by little more than his commanding voice and a stripped down acoustic guitar. But the unevenness of this record makes it a hard entry point for those unfamiliar with his work. Longtime fans of Jurado can still find enough to rally behind this one.
  13. 60
    The full band arrangements are tastefully understated, and the 47-year-old sustains a mood of gentle sorrow and hard-earned wisdom that is easy on the ear. It is well trodden territory but Jurado is a class act.
User Score
8.3

Universal acclaim- based on 4 Ratings

User score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. Jun 23, 2020
    7
    ( 71/100 )

    La invisibilidad de Damien Jurado es hermosa y sensible. Es irónico decir esto cuando realmente no recomiendo escuchar este
    ( 71/100 )

    La invisibilidad de Damien Jurado es hermosa y sensible. Es irónico decir esto cuando realmente no recomiendo escuchar este álbum. Realmente me da igual y el peligro es ese, la indiferencia sobre la existencia de éste álbum la provocó el mismo artista. No es un desperdicio, pero tampoco es una adición, no es especial pero tampoco irrelevante, es solo un espacio musical que podría decorar el fondo de una conversación sin estorbar, sin provocar la necesidad de detener la conversación y preguntar por la canción o embellecer la emoción de la convivencia. Producido por él mismo, esta es una simple muestra de música para dormir y no escuchar o simplemente poner en un Starbucks vacío.
    -
    The invisibility of Damien Jurado is beautiful and sensible. It is ironic to say that when I wouldn't recommend hearing this album. It's the same if you hear it or not, and that'ss the danger: the indifference about the existence of this album is because of the musician. It's not waste nor a contribution, it's not special nor irrelevant, it's just a musical space that could embellish the background of a conversation without clogging or making the conversation to stop for asking the song's name. It doesn't even improve the emotion of the moment. Produced by himself, this is a simple abstract of music to sleep without listening to or simply to put on an empty Starbucks.
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