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UncutMar 29, 2013Even if this [air of refined sophistication] can occasionally make Women feel a little bloodless, you have to marvel at the exquisite execution. [May 2013, p.76]
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Under The RadarMar 22, 2013Woman may struggle for consistency over the course of 35 minutes, but it's a bewitching enough listen to justify the buzz that follows its creators. [Mar-Apr 2013, p.94]
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Mar 19, 2013If a woman were singing the songs on Woman, it would make for a great neo-soul album. The fact that a man is performing them elevates the album, making it one of the most confident debuts in recent memory.
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MagnetMar 15, 2013There's a refreshing sense of directness in the sound of the music, which, for all its abundant, unabashed prettiness and orchestral elegance, maintains a stripped-down, unaffectedly human scope. [No. 96, p.59]
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Mar 14, 2013The result is like a drag show on the S.S. Yacht Rock, but an exceptionally refined one.
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Mar 13, 2013Woman might make you uncomfortable, overpowered by its honesty, but it's always truthful.
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Mar 13, 2013The songs are light around the edges, clear but never sharp.
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Mar 8, 2013The duo retain a stripped down approach and it helps make each production choice and songwriting turn feel pondered and noteworthy, each track carving out its own identity and mood within a larger thematically consistent body.
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Mar 8, 2013A focused, yet relaxed, song-writing atmosphere has resulted in something completely sophisticated yet entirely effortless, and genuinely warm.
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Mar 7, 2013These are songs to lose yourself in; a paradise of loveliness that suggests Hannibal and Milosh won't be remaining anonymous much longer.
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Mar 7, 2013I’m moved by the fragility, the vulnerability, the honesty, the disruption of masculinity. It’s inspiring to hear a way to be gentle, empathetic, brittle, and still express a deeply human impulse.
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Mar 5, 2013In the main, the purpose is bedroom listening, though the tone is so bright that daytime play seems most suitable. The lyrics are packed with metaphors, yet they are expressed in a heartrending and inviting manner.
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Mar 5, 2013A blush to the cheeks means the music is working.
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Mar 5, 2013The debut from the once-anonymous LA duo of Rhye--Danish electro-soul producer Robin Hannibal and Canadian vocalist-producer Mike Milosh--floats with ease on this wave [of R&B experiments].
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Mar 5, 2013Mostly there are ballads--exquisitely poised, expertly arranged ones so dialed into their feminine inspirations that Milosh and Hannibal virtually merge with the objects of their affection.
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Mar 5, 2013Rhye's music itself feels deeply intimate. Much of this comes from Hannibal and Milosh's deft arrangements--each of Woman's 10 songs makes its point with a bare minimum of moving parts.
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Mar 5, 2013A distinct effort has been made to play up the sexiness of the project and, thankfully, the music lives up to that imagery.
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Mar 5, 2013Rhye’s debut album, Woman, is a beautifully sequenced song cycle of soul music with the flame turned low. It’s sexy, but not overheated
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Mar 4, 2013In Woman, they’ve bypassed the hurdle of dangerous, immaterial preconceptions by creating the ultimate debut album: a future classic brimming with effortless, tangible love songs.
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Mar 1, 2013For a debut, the album has a spacious sound, and that can also be accounted for by Milosh and Hannibal’s music history which predates Rhye by nearly a decade.
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Mar 1, 2013The album’s initial momentum is not quite there by the three quarter distance, but Woman is an album that more than merits time.
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Mar 1, 2013It’s a beautifully crafted album that heralds the arrival of what’s sure to be one of the most subtly affecting voices in pop.
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Mar 1, 2013Woman works because it balances restraint and candor, presenting love in neither a chaste nor debauched light. Milosh, through his gossamer vocals, delivers a message of stunning clarity: despite the risk, love is beautiful.
User score distribution:
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Positive: 63 out of 67
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Mixed: 1 out of 67
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Negative: 3 out of 67
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Mar 8, 2013
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Apr 20, 2019
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Nov 16, 2018