• Record Label: Stolen
  • Release Date: Nov 17, 2014
Metascore
66

Generally favorable reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 12
  2. Negative: 1 out of 12
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  1. Dec 9, 2014
    80
    They may have failed in capturing the spirit of the Dadaists, but then it’s unlikely anyone would really have enjoyed that much anyway. What we get instead is two bands playing, not in opposition, but in perfect, complementing disharmony.
  2. They might be reaching into the past for inspiration, but Savages are pushing restlessly forward.
  3. Dec 9, 2014
    80
    Fans of either band--and experimental music in general--who appreciate Savages and Bo Ningen's restless spirits will likely enjoy Words to the Blind for what it is: equal parts duet and battle, and a hell of a ride.
  4. Dec 9, 2014
    80
    The fact that Words To The Blind doesn’t really make any kind of conventional sense, though, is perhaps the point of the entire endeavour. On their own terms Bo Ningen and Savages have succeeded.
  5. Dec 9, 2014
    75
    Over the course of the next 10 minutes, the recording stirs to life in a slowly mounting atmospheric swirl of eerie guitar squeals, rain-on-tin drum patter, random bass blurts, and frosty-breathed coos, before the two groups find a common ground on a stalking rhythm that eventually yields to a series of seismic, Boredoms-worthy psych-metal eruptions at the halfway point.
  6. 70
    It's a thrilling, if occasionally nauseating, sojourn into the spontaneous world of freeform performance.
  7. Q Magazine
    Dec 16, 2014
    60
    This is a n intriguing mini epic of double-drummed grooves and skronking noise. [Jan 2015, p.131]
  8. Uncut
    Dec 9, 2014
    60
    The resultant 37-minute piece is atypical of wither band's work, aiming for something more freeform. And meandering.... Still, when it hinges together, Words absolves itself. [Dec 2014, p.80]
  9. Dec 9, 2014
    50
    It's a tense, fierce, relentless piece that delivers sections of quiet space, brutal groove, and beautiful cacophony. But, like looking at a sculpture online or watching a prerecorded broadcast of a play, the element of danger and excitement is lost without the heat, sweat, and movement of a live performance.
  10. Dec 9, 2014
    42
    Words rarely coheres into a legible sequence of rhythms or melodies, rarely evolves into more than textural noodling and atmospheric energy.
  11. Dec 9, 2014
    40
    That free-form fury is a critique of the tendency to look for precise meaning in music, thereby devaluing the visceral and the emotional. But the most menacing part is the words uttered at the beginning.
  12. Dec 9, 2014
    20
    Words To The Blind doesn’t really stand for anything. Nor are its interludes or passages particularly interesting or exciting. Perhaps that’s the most Dada thing about it.

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