Metascore
63

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 8
  2. Negative: 0 out of 8
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  1. Q Magazine
    Aug 28, 2014
    60
    He clearly has difference aspirations to many of his contemporaries, but on this evidence hasn't completely freed himself o f their influence. [Sep 2014, p.112]
  2. Aug 15, 2014
    80
    The world that Worlds conjures is fantastical and defiantly cheery.
  3. Uncut
    Aug 11, 2014
    60
    [Robinson] has certainly indulged his preference here, mixing M83-style synth-pop with Daft Punk/Justice bangers and adding assorted nu-rave and EDM tropes, to end up with not much to call his own. [Sep 2014, p.76]
  4. Alternative Press
    Aug 11, 2014
    50
    What Worlds never does is cohere in any appreciable way, stomping all over its finer moments with another synth glitterbomb and burdensome bass drop. [Sep 2014, p.107]
  5. Aug 11, 2014
    69
    The main drawback to Worlds’ sound, an impressionistic approach to mass-appeal fare, is that anyone with their ear to the (festival) ground might find these sounds to be relatively old-hat.
  6. Aug 11, 2014
    70
    Although it doesn’t sound quite like EDM, Worlds manages to retain the thrilling rush of emotions that the best raves inspire.
  7. Aug 11, 2014
    60
    Through several clumsier moments, it's evident Robinson's still getting the hang of making music that translates outside clubs and festivals. Going by what he has accomplished and what he aimed to achieve here, his development should be fascinating.
  8. Aug 11, 2014
    50
    His ability isn’t lacking; Robinson just needs to ditch that indie pop crutch in order to strengthen his own voice.
User Score
8.7

Universal acclaim- based on 119 Ratings

User score distribution:
  1. Negative: 6 out of 119
  1. Aug 13, 2014
    10
    Worlds is an ambitious, incredible release from Porter. His craftsmanship in this genre is really marvellous, The melodies found in this albumWorlds is an ambitious, incredible release from Porter. His craftsmanship in this genre is really marvellous, The melodies found in this album evoke a sense of nostalgia, but it doesn't rely on it entirely. It's a synthesis of crushing four-on-the-floor beats, neo 80s sounds, sharp electro-pop, and JRPG/Sci-Fi video game OSTs. Not only is Porter creative to conceptualizing such a unique project, but his technical skills really takes this vision to the next level and makes it shine. I don't think this album will speak to everyone, but for the people it does, it's perfect. Full Review »
  2. Dec 6, 2014
    9
    Amazing but misunderstood album. Porter Robinson has gotten tired of producing tracks that are guaranteed to be hits and make money, and hasAmazing but misunderstood album. Porter Robinson has gotten tired of producing tracks that are guaranteed to be hits and make money, and has refined his talents into 11 beautiful "unconventional" electronic tracks. The album is somewhat of an homage to Japanese culture and robots and loneliness. It's brilliant and you have to listen to it. Full Review »
  3. Nov 14, 2014
    9
    One of the very best albums of 2014.
    Track Reviews:
    Divinity-10/10 Sad Machine-10/10 Years Of War-9/10 Flicker-8/10 Fresh Static
    One of the very best albums of 2014.
    Track Reviews:

    Divinity-10/10
    Sad Machine-10/10
    Years Of War-9/10
    Flicker-8/10
    Fresh Static Snow-9/10
    Polygon Dust-8/10
    Hear The Bells-6.5/10 (Weakest Track)
    Natural Light-8/10
    Lionhearted-10/10
    Sea Of Voices-9/10
    Fellow Feeling-10/10 (Best track on the album)
    Goodbye To A World-10/10 (Second Best)
    Full Review »