• Record Label: Def Jam
  • Release Date: Jun 18, 2013
Metascore
84

Universal acclaim - based on 46 Critic Reviews

Critic score distribution:
  1. Positive: 43 out of 46
  2. Negative: 1 out of 46
Buy Now
Buy on
  1. The Wire
    Dec 10, 2013
    50
    His concerns are serious--consumerism, race, fame, relationships--but he rarely addresses them with the craft or focus they deserve. [Sep 2013, p.66]
  2. Jun 17, 2013
    60
    From a production perspective, it's a smash. The beats remain head-spinning. But 'Ye's lyrics feel lazy rather than merely drawled, and he's seeking social-commentary cred that he hasn't earned--a posture that can't help but grate.
User Score
7.7

Generally favorable reviews- based on 2196 Ratings

User score distribution:
  1. Jun 18, 2013
    10
    If there's one thing you can expect from Kanye West, it's that you never know what to expect from Kanye West. Yeezus is darker and moreIf there's one thing you can expect from Kanye West, it's that you never know what to expect from Kanye West. Yeezus is darker and more twisted than his last fantasy that had us all screaming masterpiece, and after a few listens through this album, you'll be thinking the same thing. Full Review »
  2. Jun 18, 2013
    0
    great production but it sounds like an instrumental album

    extremely bad rapping and extremely bad lyrics. Kanye definitely needs to step
    great production but it sounds like an instrumental album

    extremely bad rapping and extremely bad lyrics.
    Kanye definitely needs to step his game up
    Full Review »
  3. Jun 18, 2013
    2
    I don't like it not even a little. Kanye placed the goal of innovation over the goal of making good music. The production has its moments,I don't like it not even a little. Kanye placed the goal of innovation over the goal of making good music. The production has its moments, but slips too often into a rumbling synths, bassy buzzsaws, high-pitched metallic shrieks that overshadow what little lyrical element exists but that's preferable to the hamfisted lyrics.

    Kanye may have abandoned catchy production and mass appeal, but his lyrics burned the bridge. Kanye has always been a juxtaposition, mixing the fragility and transparency of a glass champagne flute with the narcissism and braggadocio that is typical of hip hop. Kanye has fallen (or jumped) from this tight-wire balance, landing deep within the infinite void of his own ego. The lyrics are self-exalting, self-congratulatory and self-centered. On more than a few tracks, Kanye is battling old shadows with incendiary lyrics, responding to echos with a rebuttal to the choir no one is arguing the point anymore, but Kanye continues to tantrum on; not with the witty lyrics of his past albums, but with brutish blusters, caterwaul screams, and childish yowls laced with production cuts and reverb. And, when the time comes, Kanye delves into closet of hiphop's past and drags out the autotune to compliment his tired arguments.

    Kanye's flow ebbs due to a conscious decision to adopt the slow-paced percussive style of southern rappers that bounce over club bangers. Kanye's wavering confident self-aware delivery of the past that made his previous records so great is nowhere to be found, but is certainly missed.

    The media will, of course, gush over the emperor's new clothing, with words like 'brave' and 'genius', but it will only be lip service and mouthed praise. Deep down this isn't about His music, this is about Him as a concept, and idea, a brand. the media's love affair with Kanye was built on the foundation of quality music, but in the wake of countless spectacles of egotism, and displays of self-unawareness, supported by unearned comparisons have laid the brickwork to this taj mahall, Kanye mutters to a reporter, "I am the best ever" and those words migrate to the front of music magazines and the world begins to echo back kanye's own praise, first framed as a question, but like all echos, the end trails off and the statement, "Kanye is the best" becomes a statement. And he has been the best, he has been really really good, but not this time, and no one will have the guts to tell the self-crowned emperor that he is naked.

    I applaud Kanye's vision and ambition to continually grow and change as an artist, but new isn't always better, and sometimes it's terrible. Kanye's music is lacking the soulful sweetness and depth that counteracts his acerbic ostentatiousness. I won't be buying this album, and I will certainly be more skeptical of any subsequent releases.
    Full Review »