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- Summary: The fourth full-length release for the British singer-songwriter was funded from a Kickstarter campaign.
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- Record Label: N/A
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 7 out of 13
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Mixed: 6 out of 13
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Negative: 0 out of 13
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Mar 29, 2018Nash hasn't just tried to continue her legacy as one of the UK's most iconic, honest and innovative pop sensations… she has completely rewritten it.
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Mar 30, 2018The startling openness with which Kate writes is nothing but warming.
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Apr 4, 2018Yesterday Was Forever provides plenty of evidence that she can still hit top form when she wants to.
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Mar 29, 2018At 14 tracks, it feels pretty indulgent--only amplifying the fact that excluding a few choice cuts, these songs aren’t really all that good.
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May 4, 2018Nash calls herself and this approach contradictory, and maybe that's the best way to describe this album, but that carries a semblance of dismissing the issues she sings through and the realities she and her fans, listeners, and others experience all too often.
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Q MagazineApr 10, 2018Admittedly, the mostly spoken Musical Theatre is indulgent twaddle and she often squawks where others sing, but there's Hole-like grit to both Life In Oink and the raised middle finger of Hate You, where cascading choruses butt against stroppy verses. [Jun 2018, p.113]
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Mar 29, 2018Her winning formula back in 2010 was blunt honesty delivered in the form of spoken-word style poetry. Back then, she doled out witty, tongue-in-cheek observations and wry take-downs with ease. Attempts to recapture this style are marred by lazy rhymes and a delivery that’s often more just her speaking over the track.
Score distribution:
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Mixed: 0 out of
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Negative: 0 out of