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Your Hero Is Not Dead Image

Generally favorable reviews - based on 10 Critic Reviews What's this?

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Universal acclaim- based on 8 Ratings

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  • Summary: The debut full-length release for the London-based singer-songwriter was recorded with Nathan Jenkins (aka Bullion) in Portugal.
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Score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
  1. 85
    Your Hero Is Not Dead shows Westerman not only invigorated, but willing to stretch his range. Working again alongside longtime friend and producer, Bullion, Westerman, here, surpasses his early work with curious abandon and confessional songwriting.
  2. Jun 12, 2020
    With the help of Nathan Jenkins, aka producer Bullion, Westerman achieves a synthesis of these previous experiments, fusing together whimsical curiosity and technical proficiency. Over a backdrop made of the sounds of the past, his lucid yet uncomplicated lyrics interrogate the uncertainty of the present.
  3. Impressive debut. Somehow, he manages to tame the album’s kinks into a cohesive if not beguiling whole that’s eminently challenging and comforting to listen to.
  4. Jun 22, 2020
    Westerman creates music to think and daydream and plot adventures to. Arriving among a musical landscape of clean, but often vacuous bedroom pop, he has created something of lasting substance and clarity.
  5. Jun 4, 2020
    Your Hero Is Not Dead is an impressively contemplative debut album, filled with quiet music that packs a surprising emotional punch.
  6. Jun 8, 2020
    Where Westerman’s debut suffers is in its consistency: there’s such a distinctive sonic palette that, within a batch of tracks whose tempo never steps past ‘mid’, it’s hard for individual offerings to always stand out. But really he’s done the hard work; now Westerman’s defined his niche, all he has to do is refine it a little.
  7. Q Magazine
    Jun 9, 2020
    These songs' surfaces are fastidiously arranged - but in his delicate vocals and allusive, nervy lyrics, Westerman still stirs up darker, less elegantly curated depths. [Summer 2020, p.107]

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