Bit-Gamer's Scores

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For 72 reviews, this publication has graded:
  • 41% higher than the average critic
  • 4% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 4.1 points lower than other critics. (0-100 point scale)
Average Game review score: 70
Highest review score: 100 Before the Echo
Lowest review score: 10 Postal III
Score distribution:
  1. Positive: 34 out of 72
  2. Mixed: 31 out of 72
  3. Negative: 7 out of 72
72 game reviews
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    • 70 Metascore
    • 70 Critic Score
    Brink
    The game really represents a missed opportunity for Bethesda. With a little more polishing and thought the game could have been great, rather than merely good.
    • 86 Metascore
    • 80 Critic Score
    Crysis 2
    When we played Crysis 2 on the consoles, we honestly could have taken or left it. Only on the PC do we feel comfortable recommending and replaying Crytek's best game yet – and its first chance of matching technical prowess with good game design.
    • 70 Metascore
    • 50 Critic Score
    Homefront
    It's dreadfully average and far too quickly finished, providing nothing more than the most basic type of fun on the first run-through and little incentive to revisit. Not because it's broken; just because it's boring.
    • 75 Metascore
    • 60 Critic Score
    LEGO Star Wars III: The Clone Wars
    All the staples of the series are back, including the drop-in drop-out co-operative play, and it's these which define the title more than the new features.
    • 95 Metascore
    • 95 Critic Score
    Portal 2
    A truly fantastic game, a worthy sequel in almost every way and a joy to play. It may not pack the surprise-factor of the original game – a fact which deprives GlaDOS especially of much of her early power – but it's still just as fun, fast, funny and fantastic as we'd expect a second Portal game to be.
    • 67 Metascore
    • 35 Critic Score
    Operation Flashpoint: Red River
    Red River's biggest technical faults concern the disappointing graphics, however. It's one thing to balance out poor texture quality with an impressive scale, but when the world is so stunningly flat and empty it's hard to see why the textures are muddier than a rugby match in a thunderstorm.
    • 77 Metascore
    • 80 Critic Score
    Section 8: Prejudice
    Regardless of the unapologetically generic setting and aesthetics though, Prejudice's scale, depth and accessibility make it a very attractive option for some cheap multiplayer gaming. It doesn't do anything new, but it does old things well enough to be worth a look, despite a few niggles and flaws.
    • 65 Metascore
    • 55 Critic Score
    Darkspore
    As a Spore-Diablo mashup, Darkspore ultimately fails to capture the brilliance of the latter, or the theoretical creativity enabled by the former. As an action-RPG, though, it drip feeds enough of the genre's typical moreishness to keep you in a trance-like play state.
    • 80 Metascore
    • 80 Critic Score
    Anomaly: Warzone Earth
    Despite several irritations, there's a lot of innovation in this title, and a lot of fun to be had with enough varied mission designs to prevent it from getting stale.
    • 83 Metascore
    • 80 Critic Score
    Universe Sandbox
    Universe Sandbox isn't a game per se; there are no bosses, aims or levels, merely an accurate model of astronomical bodies for you to fiddle with. It's really more of a toy – the virtual equivalent of a configurable orrery, except hugely more complex than any mechanical system.
    • 68 Metascore
    • 50 Critic Score
    Mount & Blade: With Fire & Sword
    Everything it does has been done before, either in the earlier games or in the free mods on which this latest title is based. It's by no means a bad game, but its lack of ambition combines with the failure to improve old faults to create a merely average title.
    • 88 Metascore
    • 95 Critic Score
    The Witcher 2: Assassins of Kings
    If there's one aspect of The Witcher 2: Assassins of Kings that's worth singling out, it's the fact that it's not afraid to punish you when you make a mistake. This fact, more than the gorgeous graphics, the stellar script or the incredible depth that's been built on and around Andrzej Sapkowski's lore, is what defines The Witcher 2.
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