For 2,093 reviews, this publication has graded:
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66% higher than the average critic
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3% same as the average critic
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31% lower than the average critic
On average, this publication grades 0.6 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
Highest review score: | City of Refuge | |
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Lowest review score: | Lulu |
Score distribution:
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Positive: 1,670 out of 2093
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Mixed: 412 out of 2093
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Negative: 11 out of 2093
2093
music
reviews
- By Date
- By Critic Score
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- Critic Score
Re-examining its signature brat rock through an industrial prism, Garbage forges something more haunting and honest.- Boston Globe
- Posted Jun 9, 2016
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- Critic Score
Colvin & Earle is rough, just this side of ramshackle, and thoroughly charming.- Boston Globe
- Posted Jun 9, 2016
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- Critic Score
The album that resulted is Simon’s richest, most instantly appealing collection since “Graceland.”- Boston Globe
- Posted Jun 2, 2016
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- Critic Score
The maturation of the Kills continues with this taut, emotionally complex fifth record, which deepens their sound even if it doesn’t break new sonic ground.- Boston Globe
- Posted Jun 2, 2016
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- Critic Score
“Highway Anxiety” shimmers with melancholy and evocative locomotive persistence; “Gone Clear” travels from Tyler’s intricate fingerpicking to a barrage of chiming bells and back again.- Boston Globe
- Posted Jun 2, 2016
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- Critic Score
The Quins’ voices give songs like “Faint of Heart” extra dramatic heft, while adding anxious shades to the steely-eyed façade of “Hang on to the Night.”- Boston Globe
- Posted Jun 2, 2016
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- Boston Globe
- Posted May 31, 2016
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- Critic Score
While satisfying, the record could have used a bit more of that invention and risk.- Boston Globe
- Posted May 27, 2016
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- Critic Score
The group’s power has always come from its Spice Girls-like ability to form a massive unit of self-actualization, and the peppy 7/27 has no shortage of that, both lyrically and musically.- Boston Globe
- Posted May 27, 2016
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- Boston Globe
- Posted May 20, 2016
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- Critic Score
The new album is as fiery and romantic as a youthful tryst, a rock ’n’ roll experience unsullied by the inevitable passage of time and unspoiled by the burden of experience.- Boston Globe
- Posted May 19, 2016
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- Critic Score
The album glides through styles, maintaining a slightly menacing yet sexed-up vibe throughout.- Boston Globe
- Posted May 19, 2016
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- Critic Score
Whereas second LP “You’re Gonna Miss It All” delivered Facebook rants from a self-pitying underclassman, Holy Ghost is the hard-charging graduation speech.- Boston Globe
- Posted May 12, 2016
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- Critic Score
Six years later she returns healed, exuding hope and whimsy on her often wondrous new record.- Boston Globe
- Posted May 12, 2016
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- Critic Score
The album’s title refers to the feeling of never being quite done, but “99.9%” oozes poise and confidence.- Boston Globe
- Posted May 5, 2016
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- Critic Score
Unlike the haunting ambiguities that comprised the Johnsons oeuvre, Anohni doesn’t traffic in subtlety here; boldface subversiveness makes Hopelessness lethal.- Boston Globe
- Posted May 5, 2016
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- Critic Score
Again Porter delivers passion and craft in abundance, owing to the songwriting, the acoustic-jazz arrangements (by producer Kamau Kenyatta and pianist Chip Crawford), and his corduroy-warm baritone, pliant and powerful.- Boston Globe
- Posted May 5, 2016
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- Critic Score
As for “Sweet Reward,” a marvelous moment-in-time narrative sketch delivered by the murmur of Doe’s voice, and “Rising Sun,” where a reverberating guitar line gives way to a singer sounding like a Sonoran Sinatra amid the song’s slow, swirling rise and fall--at moments such as those, Doe simply is making some of the most striking music of his career.- Boston Globe
- Posted Apr 29, 2016
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- Boston Globe
- Posted Apr 28, 2016
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- Boston Globe
- Posted Apr 28, 2016
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- Critic Score
The short, melodically complex songs cohere into an often stunningly moving suite.- Boston Globe
- Posted Apr 26, 2016
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- Critic Score
Smith creates wide-eyed compositions with textures that cascade over one another, capturing the vast celestial wonder of synthesized sound.- Boston Globe
- Posted Apr 22, 2016
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- Critic Score
His first release in six years is filled with downtempo, darkly intimate tracks--eight of the 12 are ballads.- Boston Globe
- Posted Apr 18, 2016
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- Critic Score
The Hope Six Demolition Project might derive its title from a Housing and Urban Development program designed to “transform public housing,” but the bleak picture Harvey portrays on this stunning album gives that title a second, and more ominous, meaning.- Boston Globe
- Posted Apr 14, 2016
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- Critic Score
With producer Shane Fontayne adding dimension and tension to the music, Nash’s first album of originals in 14 years is marked by hope and possibility shadowed by loss.- Boston Globe
- Posted Apr 14, 2016
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- Critic Score
“Welcome to Earth (Pollywog)” starts the record with a foreboding sound that moves to stately piano and tremolo strings before exploding into soul. Nirvana’s “In Bloom” is turned into sweeping countrypolitan; “All Around You” offers killer country soul. “A Sailor’s Guide” confirms that Simpson isn’t content to stand in the same place for very long.- Boston Globe
- Posted Apr 14, 2016
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- Critic Score
Whatever the particular style, Little Windows is a series of sparkling pop gems; clocking in at just under 26 minutes, the only thing the record leaves you wanting is more of it.- Boston Globe
- Posted Apr 12, 2016
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- Critic Score
Highlights album come when the songs stretch beyond Hawthorne’s solo comfort zone.- Boston Globe
- Posted Apr 7, 2016
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- Critic Score
Gore brings together light and dark, airy and grinding, in a way that makes these seemingly disparate qualities seem like natural allies.- Boston Globe
- Posted Apr 7, 2016
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- Critic Score
The result is less serious than his last release--the kind of thing we might hear back from aliens in response to radio waves that escaped our stratosphere long ago.- Boston Globe
- Posted Apr 7, 2016
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