Boston Globe's Scores

For 5,356 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 I'm the One That I Want
Lowest review score: 0 The Nutcracker
Score distribution:
5,356 movie reviews
    • 94 Metascore
    • 100 Reviewed by
      Ty Burr
    What happens between two people? Only the chemistry that keeps us from stumbling through the chaos by ourselves. Is that an illusion, too? Amour says it doesn't much matter. There is no dignity in life except love.
  1. A civilized delight.
    • Boston Globe
    • 86 Metascore
    • 100 Reviewed by
      Ty Burr
    More than "Unforgiven," more than "Mystic River," it is Clint Eastwood's autumnal masterpiece.
  2. In short, A Christmas Story isn't just about Christmas; it's about childhood and it recaptures a time and place with love and wonder. It seems an instant classic, a film that will give pleasure to people not only this Christmas, but for many Christmases to come. [19 Nov 1983, p.1]
    • Boston Globe
    • 80 Metascore
    • 100 Reviewed by
      Ty Burr
    At its most unsettling level, Spellbound asks us to consider what words are for and what childhood should be. It's as profound as anything you'll see this year, and, yes, it should have won the Oscar.
  3. Who most of these exquisitely costumed people are I have no idea, but they brush past the camera in such rapids of jubilation it's a wonder they don't knock the thing over. I watched most of the film exhilarated, but depressed that I'm not a big Russophile.
    • 59 Metascore
    • 100 Critic Score
    The filmmaking team of director James Ivory, screenwriter Ruth Prawer Jhabvala and producer Ismail Merchant, remained loyal to James, assembled a brilliant cast and created one of the best films of the year. [10 Aug 1984]
    • Boston Globe
  4. The worst thing about the first Quentin Tarantino picture in five years is that after 93 minutes of some of the most luscious violence and spellbinding storytelling you're likely to see this year, Kill Bill ends.
    • 73 Metascore
    • 100 Reviewed by
      Ty Burr
    The strangest thing about Todd Haynes's new movie isn't that he cast six actors to play the various faces and phases of Bob Dylan. It's that he needed only six.
  5. It's all we ask of a film but almost never get, as it first makes us squirm, then makes us cheer.
  6. The best film of 2001 was made in 1979.
  7. This is a movie whose power comes from the alignment both of Mija's discovery with ours and of a tremendous writer and director with his star.
    • 92 Metascore
    • 100 Reviewed by
      Ty Burr
    If Leviathan takes the Academy Award on the 22nd — and it’s considered the front-runner by some — it’ll be a win for great filmmaking and a loss for the Putin government.
    • 99 Metascore
    • 100 Reviewed by
      Ty Burr
    The results bear witness to a time when sacrifice was bleached of everything but itself.
    • 78 Metascore
    • 100 Reviewed by
      Ty Burr
    You could argue that Gandolfini doesn’t have enough screen time, but what’s there is, as they say, cherce. The scenes in which Albert and Eva get to know each other are delightful miniatures of emotional intimacy, two bruised romantics amazed to find someone still on their wavelength.
    • 82 Metascore
    • 100 Reviewed by
      Ty Burr
    A handcrafted jewel of a movie, The Illusionist understands the illusions that sustain us in youth and that we have to let slip in the end. It's the rare work of art that cherishes both the magic and the trick.
  8. Badlands is one of the great banality-of-evil films. [29 May 1998, p.C9]
    • Boston Globe
  9. Offers a surprising and revealing look at Russia's past and present.
    • 89 Metascore
    • 100 Reviewed by
      Ty Burr
    Michael Hazanavicius's love letter to classic cinema isn't perfect but it's close enough to make just about anyone who sees it ridiculously happy - and that includes children and grown-ups who have never come across a silent film.
    • 84 Metascore
    • 100 Reviewed by
      Ty Burr
    No matter their wealth or social status, these people share disappointments and elations and a sense that life, in the end, may be what life is about.
  10. A masterpiece.
  11. Not only exhilarating and cathartic. It's too funny to be ignored.
    • 75 Metascore
    • 100 Reviewed by
      Ty Burr
    Implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most American of businesses, and for that reason it may be the most oddly honest Hollywood document of all.
  12. A milestone of eloquent understatement that captures the daily life of have-nots as few American movies have.
  13. By nearly every measure, Milk is a beautifully made, far less conventional movie biography than most.
    • 91 Metascore
    • 100 Reviewed by
      Ty Burr
    A subtle, often very funny, ultimately touching tragedy of royal manners and meaning.
  14. With Carrey hitting a career peak, this Grinch doesn't steal Christmas; it restores the season by helping energize us enough to make it through the whole thing.
    • Boston Globe
    • 94 Metascore
    • 100 Reviewed by
      Ty Burr
    The Battle of Algiers is a thinking person's action film in which there are winners -- but no heroes.
    • 78 Metascore
    • 100 Reviewed by
      Ty Burr
    This is the kind of film that reminds you of what movies, at their best, are capable of.
    • 80 Metascore
    • 100 Critic Score
    The impact of this stunning film - and the lessons to be learned from it - are as remarkable as when it was first released 30 years ago.
    • Boston Globe

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