For 2,309 reviews, this publication has graded:
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56% higher than the average critic
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4% same as the average critic
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40% lower than the average critic
On average, this publication grades 2.5 points lower than other critics.
(0-100 point scale)
Average TV Show review score: 65
Highest review score: | The Last of Us: Season 1 | |
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Lowest review score: | Full House: Season 1 |
Score distribution:
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Positive: 1,354 out of 1354
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Mixed: 0 out of 1354
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Negative: 0 out of 1354
1354
tv
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Lloyd
Erected on a framework of spy film tropes, or cliches, if you like, or homages, if you prefer, predictable in a good way or predictable in a bad way depending on how much or little one likes to be surprised, “FUBAR” is willfully ridiculous, but it also wants to be kind of real and even meaningful about family and what really matters in life.- Los Angeles Times
- Posted May 25, 2023
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Lorraine Ali
Beyond the draw of its main stars, “Platonic” is a middling comedy with plenty of the same gags you’ve seen before.- Los Angeles Times
- Posted May 24, 2023
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Reviewed by
Robert Lloyd
Patricia Arquette is not the only reason to watch “High Desert,” a new comic thriller premiering Wednesday on Apple TV+, but she’s the best reason, and all the reason you need.- Los Angeles Times
- Posted May 16, 2023
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Reviewed by
Robert Lloyd
It’s perhaps the best post-Henson Muppet show, even though — or exactly because — it features none of the usual headliners but strikes into fresh territory while maintaining the proper mix of satire, slapstick, silliness, subtlety and sentiment. The writing is good; the jokes land with Simone Biles consistency.- Los Angeles Times
- Posted May 9, 2023
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Lorraine Ali
The prequel is the best “Bridgerton” yet.- Los Angeles Times
- Posted May 5, 2023
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Robert Lloyd
A deft, oddly lovely, eight-episode semi-autobiographical comedy.- Los Angeles Times
- Posted May 4, 2023
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Robert Lloyd
It takes things at a relatively leisurely pace. Generally faithful to the material and made without stylistic overreach, it’s enjoyable in an earnest, laid-back sort of way and offers a less familiar period of period drama.- Los Angeles Times
- Posted May 1, 2023
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Robert Lloyd
You can’t accuse it of being slow. Conversation is just a short bridge to the next bout of action, which tends to be brutal in the way the kids, with their video games and comic books and Quentin Tarantino movies, like it these days. (Accordingly, “Citadel” may or may not be your idea of fun.) Events are predictably unpredictable.- Los Angeles Times
- Posted Apr 27, 2023
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Lorraine Ali
Weisz’s nuanced performance as Elliot and Beverly is next-level brilliant. ... A twisty, unsettling narrative that’s at once darkly entertaining and dangerously unpredictable. “Dead Ringers” is must-see TV, even when it’s hard to watch.- Los Angeles Times
- Posted Apr 20, 2023
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Robert Lloyd
There are impressive performances all around, but Gilpin’s is something beyond that; she’s utterly natural and present in every moment of a role that asks much of her. ... “Mrs. Davis” is complicated, but neatly organized. And the emotional arc is always intelligible, and very, very satisfying.- Los Angeles Times
- Posted Apr 19, 2023
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Reviewed by
Robert Lloyd
The bulk of the series consists of two people acting foolishly, every step forward followed by a giant leap back, again and again and again. And again. Yet if you hang on, some light finally does break in. (Even then, the show will toy with you.) And at long last, you might call it a comedy.- Los Angeles Times
- Posted Apr 10, 2023
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Robert Lloyd
Nic is troubled, and therefore trouble, but Cooper has not tried to make her sympathetic; indeed, she becomes less sympathetic with time. One doesn’t root for her so much as root for her to get over herself.- Los Angeles Times
- Posted Apr 10, 2023
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Robert Lloyd
Though “Transatlantic” is made with evident affection for its subject, and is not without entertainment value, it can also be clunky, corny and clichéd, scattered and perfunctory and at times unintentionally laughable.- Los Angeles Times
- Posted Apr 7, 2023
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Robert Lloyd
“Unstable” is an adorable workplace comedy that’s odd enough to feel fresh and traditional enough to feel good.- Los Angeles Times
- Posted Mar 30, 2023
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Robert Lloyd
The result is a narrative more ambling than compelling, compounded by the fact that the season, though it will settle some characters’ business and make various philosophical points, ends at a kind of dramatic midpoint. Nevertheless, “The Big Door Prize” is easy to like and even embrace.- Los Angeles Times
- Posted Mar 29, 2023
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Robert Lloyd
Most [of the actors] are unable to rise above the stylistic miasma of the production. ... The series becomes sillier as it becomes more serious, wending its way to a bizarrely cheerful conclusion — given the dour preceding hours — that shares only a fire with its literary antecedent. None of the character development feels earned. The narrative threads are clumsily engineered; their tying up feels pat.- Los Angeles Times
- Posted Mar 28, 2023
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Robert Lloyd
“Agent Elvis” succeeds more as a curiosity than a comedy, which is to say, I found it only occasionally funny — blood splatter doesn’t do it for me, I confess — but generally interesting, if only to see what scenes and references might turn up next. ... The series looks good, especially in its cartoonification of Elvis, all midcentury swooping lines and angles. (Robert Valley designed the character, and fashion designer John Varvatos received a screen credit for his wardrobe.) McConaughey’s performance, which is more McConaughey than Presley, is like honey on the ear.- Los Angeles Times
- Posted Mar 23, 2023
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Robert Lloyd
“The Night Agent” is no worse than workmanlike but, also, workmanlike. It’s nothing special, nothing awful and exactly what many want from television.- Los Angeles Times
- Posted Mar 23, 2023
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Robert Lloyd
[Kimmel] did a fine job setting the tone for the evening, which ran efficiently, and one might say exuberantly — there was much cheering, many hugs, more than a few tears and a chorus of “Happy Birthday” for “An Irish Goodbye” star James Martin — and with a minimum of the industrial self-congratulation that at its worst can make the Oscars broadcast an argument for the demise of the movies. ... It wasn’t a bad party, all told.- Los Angeles Times
- Posted Mar 13, 2023
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Reviewed by
Robert Lloyd
Whether or not you buy his theories about how men are, or women are, or what makes a good relationship, or what ails the country, or even accept the premises from which he draws his conclusions, and whether or not this was his finest hour (and eight minutes) of television, Rock remains worth listening to, because there’s nothing casual about what he does, and most important, he knows how to craft and sell a joke. You may laugh even as you’re offended.- Los Angeles Times
- Posted Mar 6, 2023
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Robert Lloyd
As a TV series, it’s perfectly fine, in a paradoxically low-wattage, high-intensity way, though it does go on a little long and requires some willful suspension of disbelief.- Los Angeles Times
- Posted Mar 3, 2023
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Robert Lloyd
A revival of a 13-year-old series, it feels full of freshman possibilities, and one hopes it doesn’t end here.- Los Angeles Times
- Posted Feb 24, 2023
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Robert Lloyd
Although the vicarious tourism is part of the appeal — the show looks good and gives an excellent sense of its diverse settings, from Lapland to Lisbon to the Utah desert — it’s best when Levy is most visibly nervous (which is also when he’s at his funniest) or emotionally moved or connecting with locals.- Los Angeles Times
- Posted Feb 23, 2023
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Lorraine Ali
The series still can’t decide whether it’s a comedy or drama. ... The necessary tension and conflict to drive their stories home is muted by a weak narrative. Momentum is an issue.- Los Angeles Times
- Posted Feb 21, 2023
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- Los Angeles Times
- Posted Feb 21, 2023
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- Los Angeles Times
Posted Feb 13, 2023 -
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Reviewed by
Robert Lloyd
A perfectly pleasant, somewhat nonsensical, attractively peopled supernatural sitcom.- Los Angeles Times
- Posted Feb 8, 2023
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Reviewed by
Lorraine Ali
But even Noah struggled Sunday to pump life into a flat show. His dialogue between awards and performances felt wooden and rehearsed. ... The Grammys played it too safe after three years of uncertainty, causing the show itself to be the night’s biggest loser.- Los Angeles Times
- Posted Feb 7, 2023
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Robert Lloyd
A work of pure pleasure. ... “Poker Face,” for all its cleverness and modern attitudes, is as straightforward as can be, made simply, and expertly, to be enjoyed — comfort food, not “elevated,” but delicious.- Los Angeles Times
- Posted Jan 25, 2023
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Lorraine Ali
“Accused” sets out to tell all its characters’ stories with the sort of detail they deserve, but ultimately it falls short. Though crime and punishment is the overarching theme, human intricacy is the true victim here.- Los Angeles Times
- Posted Jan 20, 2023
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