Mojo's Scores

  • Music
For 9,647 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
9647 music reviews
    • 80 Metascore
    • 100 Critic Score
    As intimate and unforced an album as I've ever heard. [Nov 2006, p.104]
    • Mojo
    • 95 Metascore
    • 100 Critic Score
    In all, it's not only Johnson's sixth ace long-player in three years, but a heaven sent sanctuary from 2020's many brutal realities. [Jun 2020, p.90]
    • Mojo
    • 97 Metascore
    • 100 Critic Score
    Both of these albums twisted machines to Radiohead's will, to their need to hear soulful songs singing in their wires. And they're resonating still. [Dec 2021, p.102]
    • Mojo
    • 96 Metascore
    • 100 Critic Score
    The Who Sell Out still remains fresh 53 years after its original release, and is thus worthy of this lavish and careful archive treatment. [Jun 2021, p.97]
    • Mojo
    • 84 Metascore
    • 100 Critic Score
    [It] was mind-bending in its day and remains so now. [May 2006, p.122]
    • Mojo
    • 88 Metascore
    • 100 Critic Score
    If you need reminding, it demonstrates what a good singer she is. [Dec 2018, p.90]
    • Mojo
    • 88 Metascore
    • 100 Critic Score
    While the comparisons to Springsteen's Nebraska and Gillian Welch's Time (The Revelator) are obvious, they don't do justice to Jurado's wholly original craft. [Jun 2003, p.98]
    • Mojo
    • 86 Metascore
    • 100 Critic Score
    Krlic has created a world in which the music of ancient tradition works like a sonic virus that simultaneously soothes and eats away at your very soul. [Dec 2019, p.95]
    • Mojo
    • 90 Metascore
    • 100 Critic Score
    No Cities To Love stares down its troubles, power and joy ultimately lying in the hands of the people who can write such songs. [Feb 2015, p.86]
    • Mojo
    • 94 Metascore
    • 100 Critic Score
    On this recording--as well as his body of work--Trane proved that music is the superior language. And that there is only one John Coltrane. [Oct 2014, p.100]
    • Mojo
    • 85 Metascore
    • 100 Critic Score
    Collected together the fear might have been that the sound would be found wanting. yet from 1996's Nenette Et Boni to 2009's White Material here is a sound always pulsing with the same intimate warmth of Denis' films. [May 2011, p.112]
    • Mojo
    • 86 Metascore
    • 100 Critic Score
    You couldn't wish for a more fitting musical soundtrack to the rest of your 2014. [Nov 2014, p.96]
    • Mojo
    • 94 Metascore
    • 100 Critic Score
    My Beautiful Dark Twisted Fantasy is genuinely a great record. [Feb. 2011, p. 108]
    • Mojo
    • 93 Metascore
    • 100 Critic Score
    This 1981 release was the middle and probably the greatest of Grace Jones's Compass Point trio. [Jun 2014, p.106]
    • Mojo
    • 100 Metascore
    • 100 Critic Score
    Martin's remix feels like the closest anyone can get to sharing the headspace of the people who made the music. The detail is staggering. [Dec 2018, p.98]
    • Mojo
    • 93 Metascore
    • 100 Critic Score
    The songs, six previously unreleased, range from good to outstanding, the sound quality as clear and natural as if he were singing in the next room. [Oct 2009, p.115]
    • Mojo
    • 87 Metascore
    • 100 Critic Score
    The Roots have created another masterpiece. [Jan 2003, p.100]
    • Mojo
    • 87 Metascore
    • 100 Critic Score
    It's a set packed with ideas and enthusiasm. [May 2006, p.105]
    • Mojo
    • 100 Metascore
    • 100 Critic Score
    Ramones is pretty much perfect. [Sep 2016, p.102]
    • Mojo
    • 83 Metascore
    • 100 Critic Score
    Stimulating, entertaining and moving. You'll listen to it more than you have Anthology, I promise. [Dec 2006, p.100]
    • Mojo
    • 80 Metascore
    • 100 Critic Score
    Brace yourself. This album is more clinging than quicksand, it is uncompromising, transcendent voodoo. [Sep 2014, p.92]
    • 95 Metascore
    • 100 Critic Score
    Crafting a sound that incorporates stinky Funkadelic psych with Prince harmonics and Rick James' pimp disco, this is hip hop with the power to convert even the most reactionary nonbelievers. [Jan 2001, p.107]
    • Mojo
    • 91 Metascore
    • 100 Critic Score
    Apart from the comprehensive compilation aspect and the rich live presence, this double CD also pauses to capture the remarkable way he welcomes 20,000 people to his fireside. [May 2009, p.98]
    • Mojo
    • 85 Metascore
    • 100 Critic Score
    Represents an ultramodern rock masterpiece, low-key yet ominous, offering new yet comforting ways of singing familiar tunes. [Jul 2003, p.98]
    • Mojo
    • 76 Metascore
    • 100 Critic Score
    An album of great emotional depth and uninhibited artistry. [Nov 2007, p.96]
    • Mojo
    • 87 Metascore
    • 100 Critic Score
    McFarlane creates a series of vibrant storytelling soundscapes where her sweetly soulful harmonised vocals intertwine with woozy synth sounds and throbbing electronic rhythms. [Sep 2020, p.92]
    • Mojo
    • 100 Metascore
    • 100 Critic Score
    Revolver presents an accomplished, almost impenetrable sheen - which makes the archaeology provided by the outtakes and different mixes all the more involving. ... You can hear the pace of their lives and their ideas in this perfect encapsulation of The Beatles at their peak. [Dec 2022, p.96]
    • Mojo
    • 94 Metascore
    • 100 Critic Score
    This is as perfect as any album can be. [Mar 2022, p.98]
    • Mojo
    • 73 Metascore
    • 100 Critic Score
    The immediately obvious aspect of Magic is there hasn't been such a musically dramatic Springsteen album since "Born In The USA;" and like that album, this is a State of the Union address disguised as a pop record. [Nov 2007, p.88]
    • Mojo
    • 77 Metascore
    • 100 Critic Score
    Joni Mitchell delivers a counter-intuitive, brilliant artistic response. [Oct 2007, p.90]
    • Mojo