New York Daily News' Scores

For 1,463 reviews, this publication has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 4.8 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 Homeland: Season 3
Lowest review score: 0 How to Get the Guy: Season 1
Score distribution:
  1. Mixed: 0 out of 611
  2. Negative: 0 out of 611
611 tv reviews
  1. Wilson plays the disenchanted slob well. But it’s not long before the politically incorrect insults and Backstrom’s general misanthropy start to lose their impact, and the cop stuff feels formulaic enough that there seems little reason to hop aboard his train.
  2. Joining the likes of Poirot, Miss Marple, Foyle, Sherlock and a hundred other PBS sleuths is no minor achievement, and Grantchester seems to belong in that company. It is unlikely, however, to break away from the pack.
  3. While the program as a whole has room to grow, Wilmore's comedy is sharp, solid and filled with keen observations and strong enough to have earned him the distinction of being the only high-profile black voice in late night television.
  4. Whitney is an odd mix. The love feels real, and you begrudge them none of it. Yet the problems are just as real, and it's hard to see what could have averted them.
  5. The first episode leads us into a series of Hitler jokes, which proves once again that even 70 years after the Allies liberated the concentration camps, Hitler jokes are really really hard to make funny.... On the upside, Man Seeking Woman still has promise. It needs to head in that direction.
  6. If you’re up for an hour of the ominous, Eye Candy earns its way into the next generation of noir.
  7. At times Babylon feels like it’s paying more attention to comic setups than the drama. At other times it isn’t. It’s not only confusing to viewers, it’s confusing to the cast, whose lines sometimes seem almost cartoonish.
  8. With talents like Dunham (who created the show, writes, directs and stars) and executive producer Judd Apatow behind the scenes, you’d expect at least more chuckles than you get from this sad return.
  9. While the new kids at McKinley get a few quirky gags, including an unsubtle Tea Party exchange, they feel half-hearted, as if only real remaining mission is to follow our old friends to the finish line. That’s fine. But we could have done it two seasons ago and not missed much.
  10. Ramsey is just right for the role and Goldberg is equally good. Several other characters have promise. Even with all that second-hand smoke, Hindsight should show us a good time.
  11. In the larger sense, Empire is a music soap the way “Scandal” is a political soap, and it already has that same densely packed swirl of interlocking stories.
  12. There’s plenty of action to go with snappy grownup dialogue, and Peggy is the kind of dame you won’t be able to resist watching.
  13. So does it remain a lavish soap opera? Of course. And so what? Watching remains pure pleasure.
  14. Just being incredibly good-natured isn’t quite enough to create a show you’d want to watch every week.
  15. What sets Mozart apart from MTV shows, though, is that here we have a handful of twentysomethings and a lot of older folks, not vice versa. It plays this fresh turf well, on both sides.
  16. [A] delightful animated hour.
  17. The dialogue only occasionally gets "Star Trek"-ish, and the special effects are nothing special. But it’s not a bad story, it moves well and you don’t have to wait a hundred years for the conclusion.
  18. It’s always been impossible not to like pretty much everyone on the show, and that remains true. But through no fault of the actors, or the writers, some of the freshness has faded. The setups here feel more like, well, setups.
  19. NBC’s annual live musical event had spirit and lively dancing Thursday night. It also felt long and flat, even when it briefly morphed into a superhero showdown.
  20. Despite the accordant level of menace, The Librarians never gets too dark. If anything, it sometimes gets too goofy. Still, it’s worth checking out.
  21. With Minnie Driver and Morena Baccarin as two of Jacob’s wives, and Debra Winger as Dinah’s blunt-speaking grandmother, the story is engaging both as untold Biblical fable and modern-day television.
  22. Significant parts of Guide will remind you of past dramas about women in their 40s who are suddenly “out there” again. But it has its own sense of humor and hurt, all of which Edelstein conveys nicely.
  23. Because of the short-form length, this Toy Story doesn’t have the barrage of witty asides and pop culture fun that we’ve seen in the movies.
  24. Sleepless in America plays like a meticulously researched horror documentary.
  25. It follows a familiar heartwarming chart without a lot of improvisation.
  26. It’s all very evocative, creating a perfect mood for the complete “Basement Tapes” sessions that, surprise surprise, have just been released.
  27. All three families seem fairly serious, not just like people who want to be on television. So the details of their new lives seem instructive, even if the lesson is “better them than us.”
  28. This new documentary on the British artist Banksy doesn’t pretend to tell us whether he’s a great conceptual artist or a great scam artist.
  29. It may be a couple of weeks before we decide whether these lead characters and their ensemble will be able to mix the soap and the political intrigue into a story that makes us care enough to keep coming back.
  30. Painful as that journey may be, the show and these actors hit all the notes that make us want to come along.

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