New York Post's Scores
- Movies
- TV
For 1,067 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average TV Show review score: 66
Highest review score: | Da Ali G Show (US): Season 2 | |
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Lowest review score: | Rules of Engagement: Season 1 |
Score distribution:
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Positive: 773 out of 773
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Mixed: 0 out of 773
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Negative: 0 out of 773
773
tv
reviews
- By Date
- By Critic Score
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Reviewed by
Linda Stasi
The acting is really, really good. And there’s not a clunker in the group.- New York Post
- Posted Mar 17, 2022
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Reviewed by
Linda Stasi
The bad news is that in true King fashion the mini series is about three hours longer than it needs to be. Somebody throw King to a newspaper editor. They decapitate copy at will! (Now that’s real horror.)- New York Post
- Posted May 12, 2021
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Michele Greppi
King should write for TV more often.- New York Post
- Posted May 11, 2021
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- Critic Score
Brian Henson directed this self-contained, one-hour telefilm whose story is cleverly told, though it contains not one word of dialogue.- New York Post
- Posted May 3, 2021
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Reviewed by
Linda Stasi
With a nice array of kooks, mad men, beasts and ghosts, we get the usual trail mix of King characters. Best of all, in a TV series we escape King’s biggest flaw – his refusal to self edit. Every movie turns into a miniseries when an hour would do just fine.- New York Post
- Posted Apr 13, 2021
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Reviewed by
Robert Rorke
The new HBO comedy “Run” is one of those high concept, “What if?” shows that doesn’t quite hang together. It’s not that the talent isn’t there. Boldface names — several Emmy award winners — abound, but the energy they bring to the screen doesn’t stop the show from running out of steam by Episode 3.- New York Post
- Posted Apr 7, 2020
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Robert Rorke
The shifting tones and conflicting storytelling severely limit any chance for this series to thrill you, let alone keep your attention.- New York Post
- Posted Feb 20, 2020
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Robert Rorke
“The Sinner” continues to intrigue and keep us guessing. Much of the success of this season’s story has to do with some smart casting. ... [Bill Pullman is] the engaging center of this entertaining puzzle.- New York Post
- Posted Jan 29, 2020
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Robert Rorke
“Lone Star,” starring Rob Lowe, has more modest ambitions and delivers far less exciting results [than “9-1-1.”]- New York Post
- Posted Jan 21, 2020
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Michael Starr
Hugh Laurie — steering the (space)ship here as bearded Captain Ryan Clark — can’t save this HBO series from its over-reliance on leaden jokes and cardboard-cutout characters.- New York Post
- Posted Jan 16, 2020
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Michael Starr
The cast gels nicely, and “The Moodys” was obviously shot in a real neighborhood (and not a studio back lot), which lends an air of reality to the situation, however contrived it might be. Those situations, though, are kept to a minimum, and this is one TV family in which you won’t mind investing six hours of your time.- New York Post
- Posted Jan 15, 2020
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Robert Rorke
While the show bears similarities to all of its procedural predecessors, Wolf and longtime “Law & Order” collaborator Rene Balcer have built a more promising foundation here by casting better actors than ordinarily found on these pedestrian dramas.- New York Post
- Posted Jan 15, 2020
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Robert Rorke
That shiny Golden Globe will buy her some time to find her voice but, right now, her show is only fitfully amusing.- New York Post
- Posted Jan 15, 2020
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Michael Starr
“68 Whiskey” won’t make anyone forget “M*A*S*H” — or even “Catch-22,” for that matter — but it tries hard to provide at least a taste of what life is like in a modern-day war zone fraught with lurking danger and, at times, death.- New York Post
- Posted Jan 15, 2020
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Reviewed by
Robert Rorke
Even if the political message was less trenchant than the one presented on “All in the Family,” the actors did a better job of conveying the established family dynamics without resorting to the mugging displayed by Harrelson. Amos’ surprise guest appearance also sweetned the pot. The only weak link was Jay Pharaoh in Jimmie “J.J.” Walker’s role of James Evans Jr. Walker is a hard act to follow.- New York Post
- Posted Dec 19, 2019
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Reviewed by
Linda Stasi
It is not, "Beavis and Butt-head" it is not "The P.J.'s," it is not "South Park," it is not "The Simpsons." Heck, it's not even "King of the Hill." "Clerks" is like a more amusing version of my least favorite animated show of all-time, "God, The Devil and Bob," which mercifully went to cartoon hell about four minutes after the premiere.[31 May 2000, p.95]- New York Post
Posted Dec 18, 2019 -
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Linda Stasi
I just sat through most of the nine episodes of Falcone. And I’m here to report that I would rather be the victim of a mob-related hit than watch/read/endure one more Joe Pistone (aka Donnie Brasco, aka Falcone)-related saga.- New York Post
- Posted Dec 16, 2019
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Reviewed by
Linda Stasi
It’s not an easy show to watch (camera work aside, but I’ll get to that later). There aren’t a lot of laughs, and it’s riveting as hell...The acting is so good it knocks out most other shows you’ll see.- New York Post
- Posted Dec 3, 2019
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Reviewed by
Linda Stasi
It’s got the grit, grime and even potential greatness of the old “NYPD Blue,” but for reasons I hope never to understand, it’s also got stupid, tricky camera work — a surveillance camera, for one, and a hand-held videocam a la “The Blair Witch Project.”- New York Post
- Posted Nov 26, 2019
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- Critic Score
It also lacks something you expect in a comedy, but rarely get these days: Laughs. Daddio is cry-out-loud lousy.- New York Post
- Posted Nov 24, 2019
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Reviewed by
Linda Stasi
I’m not clairvoyant enough to know whether viewers will be too freaked to watch The Others a second time. Whatever happens to the show, there’s no doubt that it’s breakthrough television.- New York Post
- Posted Nov 20, 2019
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Reviewed by
Linda Stasi
Parts of it are very good and some of the lines are very funny, but a lot of it is also condescending. [14 Jan 2000]- New York Post
Posted Nov 19, 2019 -
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Robert Rorke
The writers could have had some fun with the prospect of the Buchmans facing each other in mid-life, but instead they lurch from empty-nest gags to menopause jokes.- New York Post
- Posted Nov 18, 2019
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Reviewed by
Robert Rorke
Stiff of spine and thin of voice, this Elizabeth (played by Oscar winner Olivia Colman) may make you long for the incandescent Claire Foy ... The history lessons check some necessary boxes — Churchill (John Lithgow) goes to his eternal reward in Episode 1 — but also resurrect delicious bits that may have been forgotten. ... With an ever-present cigarette holder and air of hangover chic, Margaret is a free spirit trapped by the rules of the palace, and her contrast with Elizabeth is something Morgan returns to again and again with striking results.- New York Post
- Posted Nov 12, 2019
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Michael Starr
“Bless the Harts” doesn’t reinvent the animation genre, but it’s a nice addition to Fox’s ’toon-heavy Sunday-night lineup.- New York Post
- Posted Sep 26, 2019
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Robert Rorke
Fantasy junkies may be able to get by on this grade-B stimulant until the next great visionary show comes along, but right now the second-season renewal (before premiere) for “Carnival Row” seems extremely rash.- New York Post
- Posted Aug 26, 2019
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Reviewed by
Michael Starr
The episodes, around 23 minutes apiece, fly by rather quickly. So that’s a plus. Overall, though, there’s nothing too memorable about “This Way Up.” It’s a pleasant diversion if you’re looking for something to binge quickly but, like a summer rain shower, it will be here and gone before you know it.- New York Post
- Posted Aug 19, 2019
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Reviewed by
Robert Rorke
When it finally gets going — and that would be Episode 3 — Season 2 of the Netflix series “Mindhunter” finds some resonance by delving into one of the most notorious 20th-century serial killer cases — the Atlanta child murders of 1979-81. At least 28 children, adolescents, and adults were killed.- New York Post
- Posted Aug 16, 2019
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Reviewed by
Robert Rorke
Bitingly funny, it echoes the best satiric elements of the ABC hit without the baggage of having too many characters with subplots that fall all over themselves.- New York Post
- Posted Aug 9, 2019
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Reviewed by
Michael Starr
There are a few extraneous plot points that could have been avoided — no spoilers — but overall this cast seems to be having a nice time reconnecting with each other, both in their real-life and their mockumentary personas.- New York Post
- Posted Aug 5, 2019
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