For 5,909 reviews, this publication has graded:
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34% higher than the average critic
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4% same as the average critic
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62% lower than the average critic
On average, this publication grades 6.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
Highest review score: | Magic | |
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Lowest review score: | Know Your Enemy |
Score distribution:
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Positive: 3,627 out of 5909
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Mixed: 2,242 out of 5909
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Negative: 40 out of 5909
5909
music
reviews
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- Critic Score
For casual listeners, the inclusion of already-released material and repeated songs may feel bloated and unnecessary. But hardcore fans have craved this for years, and they’ll be more than happy to indulge in any and all versions of these tracks (ahem, “The Losing End” at the Roxy!). ... Some of the unreleased tracks are unfathomably great.- Rolling Stone
- Posted Nov 20, 2020
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R.E.M. were already college-radio heroes by the time they made Lifes Rich Pageant in 1986. They could've kept making mumbly, jangly tunes for their core audience, but they went bigger and bolder, stepping toward radio-friendliness while retaining their iconoclastic spirit.- Rolling Stone
- Posted Jul 15, 2011
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While the song selection (including classics like the brass-balled superfunker "Zombie") is killer, recording info would help. The music speaks for itself, but presidential history deserves better.- Rolling Stone
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This edition has 12 outtakes, most of which have been hoarded on bootlegs by Stones fanatics for years. Some of the bonus tracks are nearly as hot as the originals.- Rolling Stone
- Posted Dec 8, 2011
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The remarkable achievement of Love and Theft is that Dylan makes the past sound as strange, haunted and alluring as the future...- Rolling Stone
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In the 1977-79 half of Name, nearly every song beats the studio version. But the 1980-81 disc is the prize, as the Heads take their lofty concepts to the stage with a ten-piece band. [2 Sep 2004, p.147]- Rolling Stone
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The bonus material is not essential listening, but since U2 rarely pull back the curtain on their creative process, it's fascinating to hear this rough draft of history.- Rolling Stone
- Posted Nov 1, 2011
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Imagine: The Ultimate Collection is a lavish celebration of John’s masterwork.- Rolling Stone
- Posted Oct 11, 2018
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The alternate takes are all lesser versions interspersed with studio chatter and other audio vérité--the sound of a band enjoying its work, unaware its time was nearly up.- Rolling Stone
- Posted Feb 17, 2012
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- Rolling Stone
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The deluxe edition is an overwhelming portrait of one of the most pivotal moments in the lives of Metallica but also the metal genre as a whole, because the band would take the Justice template and streamline it to become megastars within just a few years.- Rolling Stone
- Posted Nov 12, 2018
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From the very first moment they started playing, this was a band that was eons ahead of its time. Pylon Box is exactly the deep dive their incredible legacy deserves.- Rolling Stone
- Posted Nov 10, 2020
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Lemonade is her most emotionally extreme music, but also her most sonically adventurous.- Rolling Stone
- Posted Apr 25, 2016
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A four-CD, 20-year cornucopia of live performances that show that evolution in real time, drawing on his appearances at the globe-roving Newport Jazz Festival with diverse collaborators.- Rolling Stone
- Posted Jul 17, 2015
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The mood stays ominous, even as sonic details thrill headphone-equipped headbangers.- Rolling Stone
- Posted Aug 12, 2013
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The original All Things has aged brilliantly (the fresh remix doesn’t hurt). ... The two CDs of early demos (day one made with Voormann and Starr, day two acoustic versions) could easily stand on their own; these are spare, campfire-ish takes on which Spector would soon add Wall of Sound bricks.- Rolling Stone
- Posted Aug 9, 2021
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This reissue bonanza shows the Nineties' premier indie band turning reflective and joyfully screwing around at the same time.- Rolling Stone
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The Pretties were impatient modernists, carrying that blues zeal to psychedelia (1967's "Defecting Grey"), rock opera (ahead of the Who, on 1968's S.F. Sorrow) and progressive rock (1970's Parachute) with spectacular if commercially dire results. This grand box takes that tale, across 11 studio albums and a feast of extras, up to the present day.- Rolling Stone
- Posted Mar 20, 2015
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- Rolling Stone
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This sumptuous birthday celebration of America's greatest folk singer is really a present to us: two CDs of his greatest songs and recordings, mostly from the mid-1940s, and a disc of illuminating rarities, including what is thought to be Guthrie's first studio session in 1939.- Rolling Stone
- Posted Jul 31, 2012
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Just as exuberant is the part of Disc Two dominated by the jazz-infused playing of pianist Rubén González, whose spiraling solos bring roars from the crowd.- Rolling Stone
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If you want a vision of the future of hip-hop and techno, get this record.- Rolling Stone
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The Bang Years is the anthology his fans have always craved--the first definitive collection of his Sixties nuggets, when he was just another Brooklyn punk hustling his way into the business with a guitar, groovy sideburns and a solitary-man glare.- Rolling Stone
- Posted May 20, 2011
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Following a string of records that have each felt like a swan song, You Want It Darker may be Cohen's most haunting LP.- Rolling Stone
- Posted Oct 21, 2016
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It's built for fanatics, yet the goods could make a fanatic out of anyone.- Rolling Stone
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When Ocean reins himself in, tucking his words and melodies into tighter verse-chorus structures, the songs have startling force.- Rolling Stone
- Posted Jul 18, 2012
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All totaled: a trunkload of what at this point are barroom folk standards, played so vividly you'll be bellowing along.- Rolling Stone
- Posted Oct 4, 2013
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This latest one, which lasts more than double the length of the studio Love Supreme, shows additionally how for Coltrane, his weightiest statement to date wasn’t a fixed masterpiece but a perpetual work in progress, a launchpad to the next phase of his quest.- Rolling Stone
- Posted Oct 20, 2021
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It is a glorious thing to hear. It will be one of the best things you hear all year.- Rolling Stone
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Finally, the third and most brutal album from these Detroit legends gets both the rawness and the power it deserves.- Rolling Stone
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