For 6,796 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.8 points lower than other critics.
(0-100 point scale)
Average Movie review score: 58
Highest review score: | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | |
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Lowest review score: | Star Wars: Episode I - The Phantom Menace |
Score distribution:
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Positive: 3,688 out of 6796
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Mixed: 1,309 out of 6796
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Negative: 1,799 out of 6796
6796
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Derek Smith
It achieves the rarest of feats of any tentpole Hollywood release, animated or not: gleefully matching exhilarating stylistic experimentation with a multi-tiered narrative of equal ambition.- Slant Magazine
- Posted May 31, 2023
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Reviewed by
William Repass
Offering visceral immediacy over meticulous construction, Padre Pio bristles with arresting images.- Slant Magazine
- Posted May 30, 2023
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Reviewed by
Wes Greene
The inadvertent effect of the oppressive, almost overbearing gloom that shrouds Falcon Lake is that it manages to sap the life out of its initially carefree depiction of young people’s emotional lives.- Slant Magazine
- Posted May 28, 2023
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Reviewed by
Pat Brown
The film interrogates both the state of our world and the lines between fiction and document.- Slant Magazine
- Posted May 28, 2023
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Reviewed by
Chris Barsanti
Alexandre O. Philippe’s essay film is both dead-serious about its subjects and playfully exploratory.- Slant Magazine
- Posted May 26, 2023
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Reviewed by
Derek Smith
Ultimately, The Boogeyman is like so many other modern horror films that prioritize mood above all else.- Slant Magazine
- Posted May 25, 2023
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Reviewed by
Jake Cole
Where Kandahar is most intriguing is in the oddly even-handed depiction of both American and Middle-Eastern characters as largely exasperated professionals going about their grisly work because they’re too old to pivot to a different job.- Slant Magazine
- Posted May 24, 2023
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- Critic Score
This Little Mermaid feels more or less like two-hour-plus cosplay with the texture and gravitas of a Disneyland sideshow.- Slant Magazine
- Posted May 22, 2023
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Reviewed by
Clayton Dillard
Sarah Vos creates a nearly mockumentary effect that neither fully lampoons nor endorses contemporary standards for the art world’s political correctness but lands at a decidedly more ambivalent point.- Slant Magazine
- Posted May 21, 2023
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- Critic Score
Being as this is the first of a possibly three-part finale, Fast X’s sense of fun is constantly deflated by all the table-setting.- Slant Magazine
- Posted May 17, 2023
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- Critic Score
This is a theatrical story told in a purposefully and self-consciously theatrical manner.- Slant Magazine
- Posted May 15, 2023
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Reviewed by
Clayton Dillard
Jamie Sisley’s film looks at its serious subject matter through a maudlin lens.- Slant Magazine
- Posted May 15, 2023
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Reviewed by
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Reviewed by
Pat Brown
By turns wry and tragic, but never glib or mawkish, this is a visually rich and evocative drama about navigating the often treacherous path to adulthood.- Slant Magazine
- Posted May 15, 2023
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Reviewed by
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Reviewed by
William Repass
The film is an object lesson in what can result when a work of art subordinates itself to a message.- Slant Magazine
- Posted May 15, 2023
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Reviewed by
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Reviewed by
Derek Smith
The film is a pointlessly complicated house of cards that crumbles due to its own hollowness.- Slant Magazine
- Posted May 11, 2023
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Reviewed by
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Reviewed by
Jake Cole
The film sprints past its targets, dealing glancing blows to subjects that have already been obliterated by decades’ worth of Tinseltown parodies.- Slant Magazine
- Posted May 11, 2023
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Reviewed by
Ross McIndoe
The film is an impressively complicated and compassionate drama about shame and desire.- Slant Magazine
- Posted May 7, 2023
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Reviewed by
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- Critic Score
The film is devoid of serious conflict, yet it hits with unexpected feeling.- Slant Magazine
- Posted May 7, 2023
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Reviewed by
Wes Greene
Monica is an unsentimental exploration of its main character’s search for personal fulfillment through human connection.- Slant Magazine
- Posted May 7, 2023
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Reviewed by
Mark Hanson
The film is nothing but a chintzy promotional tool for Celine Dion.- Slant Magazine
- Posted May 6, 2023
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- Critic Score
The film undermines its initial sense of intimacy and momentum with a stop-and-start story structure that by and large exists to make as much room as possible for its characters’ banter.- Slant Magazine
- Posted Apr 28, 2023
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Reviewed by
Ross McIndoe
The film stumbles sluggishly from one chapter in Foreman’s life to the next.- Slant Magazine
- Posted Apr 28, 2023
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Reviewed by
Eric Henderson
The sense that they don’t make mass entertainments like this anymore is palpable.- Slant Magazine
- Posted Apr 27, 2023
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Reviewed by
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Reviewed by
Derek Smith
Christophe Honoré’s film tackles grief in a subtle, intriguingly indirect manner.- Slant Magazine
- Posted Apr 25, 2023
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The film is a meditative, slow crescendo of wounded feelings and quiet epiphanies.- Slant Magazine
- Posted Apr 23, 2023
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Reviewed by
Chuck Bowen
Lee Cronin serves up considerable gore with monotonous, po-faced earnestness.- Slant Magazine
- Posted Apr 22, 2023
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Reviewed by
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Reviewed by
Jake Cole
Throughout the film, Laura Citarella emphasizes the liberating quality of following the rabbit hole as deep as it goes.- Slant Magazine
- Posted Apr 21, 2023
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Reviewed by
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Reviewed by
Jake Cole
Throughout the film, Laura Citarella emphasizes the liberating quality of following the rabbit hole as deep as it goes.- Slant Magazine
- Posted Apr 21, 2023
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Reviewed by
Diego Semerene
Because so much of Hayakawa’s film is given over to depictions of the procedures, formalities, and impersonal administration that define Plan 75, even the tiniest spark of feeling comes as a relief.- Slant Magazine
- Posted Apr 18, 2023
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Reviewed by
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Reviewed by
Wes Greene
The film surprises by revealing deeper layers to both its subjects and social commentary.- Slant Magazine
- Posted Apr 18, 2023
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Reviewed by