St. Louis Post-Dispatch's Scores

  • Movies
  • TV
For 1,768 reviews, this publication has graded:
  • 66% higher than the average critic
  • 2% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Big Lebowski
Lowest review score: 0 The Divergent Series: Insurgent
Score distribution:
1768 movie reviews
  1. In its uncompromising vision, it may not be for everyone, but it’s definitely the movie that Batman needed.
  2. Though the situation is far from realistic, the dynamically directed and swiftly paced Marry Me remains emotionally grounded, which is crucial to the execution.
  3. House of Gucci is Gaga’s movie, and she won’t let you forget it. She delivers a bravura performance as Patrizia, an alchemical blend of sheer charisma, power of personality, undeniable magnetism, and most importantly, commitment to the bit.
  4. Wrath of Man feels like a homecoming for director and star, and an evolution, too. With Statham in the lead, playing one of his classically taciturn and tactically lethal action heroes, Ritchie is as restrained and controlled as he’s been in years.
  5. Bill and Ted bouncing through time means the narratives of these films are merely loose assortments of kooky bits and cameos, and “Face the Music” doesn’t stray from that. While it doesn’t quite gel cohesively, in this casual kickback with a pair of old pals, it’s the dudes who remain excellent.
  6. Although The Fight is swift and jam-packed with ups, downs, wins, losses, injunctions, stays, hearings and Trump speeches, the film is remarkably detailed and careful.
  7. Porter’s film is a warm biography and depiction of Lewis’ life, but there are moments where one wishes it had a bit more bite.
  8. As usual, Ridley is immensely appealing as a born warrior with an indestructible sense of right and wrong. Her expressive face lends the fantastical goings-on an emotional resonance.
    • 48 Metascore
    • 50 Critic Score
    In the end, The Predator is a killer when it comes to action. But, when it comes to the script, it’s just dead on arrival.
    • 59 Metascore
    • 75 Critic Score
    White Boy Rick is good enough, but you keep wanting it to be better.
  9. Despite the best efforts of McCarthy, and a winsome Maya Rudolph as Phil’s 1940s-style secretary, Bubbles, The Happytime Murders is more like the “Boringtime Slog.”
  10. Skyscraper clearly aspires to be a 21st-century update of “Die Hard” (1988), one of the best action thrillers ever made. Instead, it’s just another film that squanders the movie-star charisma of Johnson, who should consider lending his box-office clout to more worthy projects.
  11. Foster (“Hell or High Water”), who is best known for portraying unhinged and dangerous characters, is intriguingly enigmatic as Will. And Harcourt McKenzie turns in a hauntingly memorable performance.
  12. Ant-Man and the Wasp is a vast improvement on “Ant-Man” (2015) — and one of the most entertaining releases from Marvel Studios.
  13. Sensational slanting notwithstanding, Whitney is as powerful and quintessential as it is overwhelming and grueling.
  14. Perhaps it’s time for a moratorium on road movies. Despite its strenuous efforts to come across as quirky and original, Boundaries goes nowhere.
  15. An adequate action film, but it lacks the envelope-pushing artistry of the original.
  16. A refreshingly down-to-earth comedy-drama about family, ambition and the liberating power of music.
  17. Another “Jurassic” flick wasn’t necessary, but it’s a fantastic ride all the same.
  18. Rogers has been criticized by conservative pundits and parodied by comedian Eddie Murphy. But those backhanded acknowledgments only confirmed his status as a force to be reckoned with.
  19. Bursting with style and imagination, The Incredibles 2 sets a standard that few superhero flicks — animated or live-action — can match.
  20. Hotel Artemis is neither a sequel nor a remake, but a film of considerable originality. And that makes it a rarity at the multiplex.
  21. The charismatic cast can’t be faulted. Bullock and Blanchett are more than credible as crooks, and Hathaway is delightful as the self-absorbed Daphne. Unfortunately, Ocean’s 8 turns out to be a poor showcase for their talents.
  22. In one of his best roles, Hawke is galvanizing as a man who has lost his way and is desperately searching for meaning in his life. And as Mary, Seyfried turns in a poignant and beautifully nuanced performance. Provocative and mesmerizing, First Reformed is a film that demands to be seen.
  23. One has to wonder why the film was even made if it had to be so disastrously compromised. Chekhov would be appalled.
  24. After a rough start, the film achieves escape velocity to generate escapist thrills.
  25. The film’s greatest asset is Reynolds, who in Deadpool finally found the role of his dreams. Reynolds totally sells the character’s blend of reckless self-absorption and reluctant heroics.
  26. In his affect and attitude, he’s refreshingly free of bluster. And it’s almost unbelievable that a man of his power and prestige insists on maintaining such a modest lifestyle.
  27. A disgrace and a waste of the talents of Oscar winners Keaton, Fonda and Steenburgen and Emmy recipient Bergen. Obviously, the film is intended for an older audience. But is this anemic, feature-length sitcom really the best that Hollywood can do?
  28. The kind of film that’s capable of eliciting wildly different reactions. Art-film aficionados would be impressed with its atmospheric storytelling and emphasis on character. Devotees of mainstream cinema would likely complain that “nothing happened.”

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