The Independent (UK)'s Scores
- Music
For 2,189 reviews, this publication has graded:
-
47% higher than the average critic
-
4% same as the average critic
-
49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | THE TORTURED POETS DEPARTMENT | |
---|---|---|
Lowest review score: | Donda |
Score distribution:
-
Positive: 1,172 out of 2189
-
Mixed: 988 out of 2189
-
Negative: 29 out of 2189
2189
music
reviews
-
- Critic Score
Overall, the album offers a surprisingly successful transformation that somehow enables one to hear this most familiar of material as if through new ears, a remarkable achievement in itself.- The Independent (UK)
- Posted Jun 1, 2017
- Read full review
-
- Critic Score
His symphonic-soul innovations here would map out the course of much 1970s soul music, while his use of multi-layered vocals – the happy result of an engineer accidentally running two vocal takes in the same mix – added an extra element to Gaye's vocal armoury which he would use extensively throughout the rest of his career.- The Independent (UK)
- Posted Aug 2, 2011
- Read full review
-
- Critic Score
Though spoilt in places by distortion and too-prominent electric piano, the hitherto unheard material is notable for the innovative exploration of yet another roots blend, through the impassioned country-soul of songs such as “That’s the Breaks”. Clearly, in this most congenial of creative cauldrons, virtually anything was possible.- The Independent (UK)
- Posted Oct 31, 2014
- Read full review
-
- Critic Score
The piquant combination of Morrissey’s blithe aloofness and double-edged, acidly humorous lyrics with Johnny Marr’s endlessly inventive, precociously African-influenced guitar parts was rarely more effective than here.- The Independent (UK)
- Posted Oct 19, 2017
- Read full review
-
- Critic Score
It remains one of pop's most impervious generational touchstones.- The Independent (UK)
- Posted Feb 14, 2013
- Read full review
-
- Critic Score
The character of the base music here is overwhelming: complex, ebullient and life-affirming, and in yoking this intricate dance music to his sophisticated New Yorker sensibility, Simon created a transatlantic bridge that neither pandered to nor patronised either culture.- The Independent (UK)
- Posted Jun 8, 2012
- Read full review
-
- Critic Score
Manic descants, discordant pianos and abrupt changes in time signature at once complement and compete with each other in a carefully crafted clatter. The melodies are wonderful. The lyrics, too – conversational yet precise.- The Independent (UK)
- Posted Apr 16, 2020
- Read full review
-
- The Independent (UK)
- Posted Oct 4, 2019
- Read full review
-
- Critic Score
REM’s brooding masterwork. ... It’s an album of shadows and contrasts: “Drive”, for instance, opens proceedings on the cusp of adulthood, imparting youthful rebel spirit with a warning sense of duty for the future, before “Try Not To Breathe” offers an extraordinary image of an old person eager to leave the world to the young.- The Independent (UK)
- Posted Nov 9, 2017
- Read full review
-
- Critic Score
Proving that it is possible to have too much of a good thing, the five discs of this outtakes-and-all edition take the (let's be honest) rather meager delights of Brian Wilson's unfinished "masterwork" and wring the life out of them.- The Independent (UK)
- Posted Oct 28, 2011
- Read full review
-
- Critic Score
It's an extraordinary collection, which demonstrates exactly why Guthrie was perhaps the only performer who could square the circle pointedly implied by the title American Radical Patriot.- The Independent (UK)
- Posted Oct 29, 2013
- Read full review
-
- Critic Score
This album isn't a 'Holy shit I need to text my friend imploring them to listen immediately' mind blower, but it is a valuable addition to his oeuvre.- The Independent (UK)
- Posted Apr 19, 2017
- Read full review
-
- Critic Score
His richly soporific new album – his first new material since 2012’s Tempest – plays like an extension of that [2016 Nobel Prize acceptance] speech: a folksy recitation of literary and pop references sprawling over long, ramshackle songs with minimal (mostly acoustic) melodies that sway back and forth behind him like curtains in a light breeze.- The Independent (UK)
- Posted Jun 17, 2020
- Read full review
-
- Critic Score
Notwithstanding the occasional foray into jazz and blues, Black Messiah is much the same blend of miasmic boudoir soul, bare-bones funk and liberation songs that characterised his 2000 milestone, Voodoo.- The Independent (UK)
- Posted Jan 9, 2015
- Read full review
-
- Critic Score
So although Cave’s adept grasp of vocal expression, from aching melancholy to erupting hysteria, guides the narratives of these songs, this is not simply a singer backed by a band, it’s a unit striving for collective expression, by whatever means possible.- The Independent (UK)
- Posted May 10, 2017
- Read full review
-
- Critic Score
They pushed the single envelope in various directions – processional chants, electric-organ improvisations, big-band “space bop”, and at the furthest extreme of his sonic galaxy, the furious free-jazz of “Cosmo-Extensions”, guaranteed to clear the floor at any party.- The Independent (UK)
- Posted Nov 30, 2016
- Read full review
-
- Critic Score
The result is beautiful, visceral and, predictably, emotionally devastating.- The Independent (UK)
- Posted Sep 9, 2016
- Read full review
-
- Critic Score
Like Picasso, he acknowledges that the chief enemy of creativity is good taste--which is just as well, since it's not a quality with which he seems over-burdened on My Beautiful Dark Twisted Fantasy. For which we should all be thankful.- The Independent (UK)
- Posted Feb 23, 2011
- Read full review
-
- The Independent (UK)
- Posted Mar 18, 2022
- Read full review
-
- Critic Score
Twenty-five years ago, Lifes Rich Pageant found R.E.M. metamorphosing from what was effectively a turbo-charged folk-rock cult indie outfit into a proper rock band capable of filling stadia.- The Independent (UK)
- Posted Jul 15, 2011
- Read full review
-
- Critic Score
It all adds up to probably the best Stones album since... well, since Some Girls, actually.- The Independent (UK)
- Posted Nov 23, 2011
- Read full review
-
- Critic Score
This 1991 album is the best of three reissues of their work – also available are their debut, Isn't Anything, and a 2CD compilation of outtakes and EPs.- The Independent (UK)
- Posted May 14, 2012
- Read full review
-
- The Independent (UK)
- Posted Feb 17, 2012
- Read full review
-
- Critic Score
Macero’s edits on the original double-album collaged four nights’ shows into a single, 20-minute track apiece; but this 4CD set presents each night’s ebullient flow in full.- The Independent (UK)
- Posted Apr 18, 2014
- Read full review
-
- Critic Score
Across the album’s 13 tracks, she flits easily between pop’s peripherals and its core, dispensing emotional catharsis all the way.- The Independent (UK)
- Posted Oct 22, 2021
- Read full review
-
- Critic Score
Lemonade is fiery, insurgent, fiercely proud, sprawling and sharply focused in its dissatisfaction.- The Independent (UK)
- Posted Apr 26, 2016
- Read full review
-
- Critic Score
The sheer grace and ambition of Ants… will prove tough for 2022 to top. A huge leap forward, headfirst into the unknown.- The Independent (UK)
- Posted Feb 3, 2022
- Read full review
-
- Critic Score
It's a relief to report that Pull Up Some Dust And Sit Down is his best effort by far since Chavez Ravine.- The Independent (UK)
- Posted Sep 1, 2011
- Read full review
-
- Critic Score
Even if you don’t love This Could Be Texas, it’s a hard album not to respect. English Teacher have well and truly arrived: the class had better pay attention.- The Independent (UK)
- Posted Apr 11, 2024
- Read full review
-
- Critic Score
Gently marching strings furnish an aptly martial underscoring for the conflict imagery of “Treaty”, the latest of Cohen’s romantic mea culpas, which reveals how, for a Great Seducer, love is an essentially narcissistic, even solipsistic, pastime, its protagonist apologising “for that ghost I made you be”. It’s just one of several sharp, stinging twists casting new and unusual shadows on old themes in You Want It Darker, culminating in the mordant, bitter advice of “Steer Your Way.”- The Independent (UK)
- Posted Oct 19, 2016
- Read full review