Diablo IV is a triumph. It fulfills its promise, combining the aesthetics and feeling of Diablo II with the fantastic gameplay of III. It is dark and gory, featuring a meaty campaign and endgame that should delight fans of the series for hundreds if not thousands of hours.

Xbox players have had to wait a long time for Street Fighter to come back to the platform and luckily got the best iteration yet.

The game follows the typical Super PowerUP Games Pinball setup of having incredibly easy-to-obtain achievements. With a modicum of skill, you’ll be able to snag 1000g in 30 minutes to an hour. There isn’t anything else to the game, like always, so unless you’re that desperate to get your gamerscore up for $3 US this one is impossible to recommend. It’s a generic, boring, table that looks fine but is not satisfying to play.

Warhammer 40,000: Boltgun is a beautiful, challenging, and occasionally infuriating love letter to old-school FPS titles. It’s just the right length and despite a few flaws it is worth a purchase on both console or PC.

Despite a fairly negative-sounding review, Protodroid DeLTA is a fun game. It manages to capture most of the magic of action-platformers of the era, Mega Man X in particular but also the Sonic Adventure games to an extent, with fun, dynamic combat and tons of platforming and a bright, colourful look. Unfortunately, while the gameplay has its moments, it’s also not quite as precise and polished as such a game would require, and with how prevalent and difficult the platforming sequences become, this is certainly a big issue. Nostalgic gamers and people dying to play something resemblign a new 3D Mega Man are still bound to have a pretty fun time with Protodroid DeLTA, and here’s hoping that the title can be successful enough to warrant a sequel that fixes some of its shortcomings.

As the credits rolled, I found myself reflecting on companionship and what shared experiences mean to me personally. How many games can do that to a player?

I could barely be happier with the end result, and so even with a few hiccups, LEGO 2K Drive is one of the most fun arcade racers in recent years and already one of my favourite games of 2023, and one that I really hope to see become a long-lasting franchise.

Aside from a handful of technical hiccups, TrackMania (2020) is in many ways the highest point of the series so far, with more game modes, events and updates than ever. It may not be the racing game for everybody, but if you’re willing to dedicate yourself to an adrenaline-packed yet technical arcade racer for months or years to come, you’ll find a lot to love in Nadeo’s and Ubisoft’s latest racer.

The Creepy Syndrome is not creepy and features no syndromes. It is a low-budget horror title that relies entirely on jump scares and stilted, cliché-filled writing. If you skip the dialogue and get a strategy video you can get an easy 1000g out of it in an hour or two, but you will not have an enjoyable time while doing so.

Teslagrad 2 is a short but well-designed and pleasant experience. Perfect for those who just want to master speed and puzzle solving in a Metroidvania over fighting hordes of enemies.

It ultimately feels like the game’s developers are not really sure who they’re targeting with this game. It doesn’t have the depth and simulation levels to be appreciated by hardcore racing fans, but it also has a difficult driving model that isn’t at all snappy and reactive, making each corner feel like a major commitment under braking and while riding out the racing line. And with only the limited variety of tracks that the island offers, an unimpressive and frankly unnecessary open world addition, flat graphics and rather basic game features, it’s hard to recommend the rather average experience that is TT Isle of Man: Ride on the Edge 3, one that I hoped would be a bigger upgrade from RiMS Racing.

I beat the game and earned all 1000g in roughly 25 minutes of playtime. For $5 it’s an easy sell for achievement hunters out there, and one of the better playing achieve games I’ve played.

Mia and the Dragon Princess is worth a look if you are a fan of this type of game. Impressive acting talent is present although they are in full-on ‘hamming it up’ mode, the fight scenes are well choreographed and there are a few killer lines of dialogue. If the idea of a children’s TV drama mixed with a brutal British gangster film appeals to you, this could be a dream come true.

In Ravenlok’s well-paced narrative and gameplay structure, I’m sad to say that I didn’t find the game to be very compelling. For every fun puzzle there was another quest or dull combat sequence that I button mashed out of with ease. Still, I could appreciate the expectations the game places on the player to simply figure things out on their own and having a straightforward, no-nonsense plot. A lost art in gaming (and arguably other mediums) today.

Redfall is fantastic in most ways. A few baffling design decisions around its co-op implementation and some frustrating technical issues hold it back. It is fun as hell solo, and ridiculously so in co-op. With a little post-launch support it is going to become something special. This may end up being Arkane’s worst-reviewed title ever, but it is going to be their most successful. Alone or with friends Redfall is a game any fan of the genre should play.

If you can handle some curious design quirks, a few bugs, and don’t mind poking around in the dark looking for clues, The Last Case of Benedict Fox might just be a breath of fresh air.

With a low play time of 2 hours or less, I would definitely recommend this game if you are at all interested. The story is engaging, even though it ends abruptly. You might feel yourself wanting more, but if you save your progress along the way, you can go back and complete those mini-games you might have skipped or try to find the secret scenes. there isn’t much to dislike about this charming installment other than it ends too soon.

STAR WARS Jedi: Survivor continues Respawn’s run as one of the best in the industry. It is an incredible accomplishment, blending top-tier gameplay and narrative in a package few games can match. Performance during my review was rough, but if they can smooth it out then this is a game that no one should miss. For fans of STAR WARS, this is the game we have been waiting for. One that fixes the mistakes of the previous, and soars to heights we could have only dreamed of.

I had a good time with Afterimage. Its levels got more and more interesting as you progressed, the characters you’d run into were well-acted and I liked the interactions Renee had with them. There’s a lot of game to go through with Afterimage, multiple endings in fact. And though I spent most of my time cheesing encounters because I could, and I take issues with the game’s presentation, there’s a strong gameplay loop that I think many players, especially those new to Metroidvania-style games, will enjoy in Aurogon Shanghai’s first venture into 2D action games.

Monster Hunter Rise: Sunbreak is loaded with even more content and more ways to play said content. The changes to the weapons, to the gear and the added variety in both monsters and locale, make this an easy recommendation for anyone who enjoys the game and wants reasons to either keep playing or to come back. If you haven’t gotten your fill of hunting monsters yet, Elgado Outpost could surely use your help.

I can’t stress enough how close Embers is to something great here. Strayed Lights is just a few design decisions, tweaks and adjustments away from being fantastic. It’s a beautiful world you want to explore, but you just need a touch more guidance to feel less aimless. Even as someone who cares little for story in games, a little something here might help players feel more connected with the world.

While I enjoyed catching up with some of the familiar faces, Coffee Talk Episode 2 doesn’t add anything to make for a better experience and overall feels lesser than the first. Thankfully, Game Pass makes this an easy recommendation for the music alone, but I don’t think you’d be missing out on much if you stopped with the first game.

It’s the simplicity of the game that makes it so much fun to play—it’s just done so well. The gorgeous visuals, solid score, and strong gameplay system make The Mageseekers: A League of Legends Story so easy to recommend to anyone. This game is way too good to pass up on.

Dead Island 2 is fantastic. It knows what it is, and that’s a ton of sneakily smart dumb fun. The FLESH system is horrific and awful and the best. Smashing, chopping, burning, and exploding humans has never been so fun. At $70 some may want to wait as it isn’t the longest campaign. I’m already doing a second playthrough though, and this is a game I’ll be coming back to for a long time.

God of Rock is a unique rhythm game experience that offers a lot in the way of gameplay options and content. Online and crossplay are also present alongside a custom notetrack maker for songs that easy to use. And even if I like the idea and the aesthetics, I felt that the game doesn’t really know whether to focus on being a fighter or a rhythm game and I ultimately left the game with middling feelings.

There is no part of this game that warrants it’s $40 asking price. It would be a bad deal at a quarter of that cost. Mediocre driving, poor performance, terrible world textures, ridiculous achievements, and a lack of any intriguing content make me question what is a “simulator” about it at all.

Minecraft Legends wasn't a game I was particularly excited about, mostly due to its strategy leanings. However, it's always nice to be surprised, and there's a lot of fun to be had, particularly with friends online. The single player can be as chill as you'd like it to be, but PVP is absolute panic-inducing carnage in the best kind of way.

Ghostwire: Tokyo is finally on Xbox, and of course, it’s on Game Pass. It features fast and fluid combat, that takes a little too long to get going. The gorgeous recreation of Japan is hampered by severe performance issues in all but the ugliest graphical mode, but the story is interesting enough to push on through. It might not reach the highs of the studio’s title Hi-Fi Rush, but few games do and Ghostwire: Tokyo is a damned fun game in its own right.