It's three weeks into Third Year and Tara and her friends are already feeling the pressure. Speculation bubbles when the National Ballet Company announces it needs three temporary fill-in roles in the corps de ballet.

It's an overwhelming first few days working as fill-in dancers in the Company and a whole new learning curve. Christian continues to shirk responsibility and avoid returning to the Academy.

All is not well in Kat world but she's trying desperately to pretend she's fine; while Christian's plans for a cruisey return to the Academy are derailed by the Board.

Ben has to choose between the girl he cares about and the opportunity to partner a principal dancer, while Tara is worried about Kat but goes about trying to fix her in all the wrong ways. Ollie challenges Abigail to a dance off.

Saskia schemes to arrange an early audition for her favourite student, with disastrous results, while Ollie continues to pursue career alternatives and creates a professional music video.

Abigail auditions for a guest role in a dance movie, while Grace does everything she can to ensure she's allowed to go on the Third Year tour.

Grace seems to have found a perfect match with life on the road until Zach clamps down on declining standards during the Third Year regional tour. At the Academy, Kat commences a leading role in the indi dance movie.

The Third Years teach a dance class to a group of local kids; Tara feels old wounds re-opening and Abigail has to face her past and let it go.

A career-making performance opportunity brings out the best and worst in everyone and an injury that sidelines Ollie prompts him to use someone to get ahead.

Christian and Ollie prepare for a major hip hop competition; Kat prepares to audition for a minor role in Coppelia and Ben takes a stab at revenge.

The countdown to the final Company auditions has begun when suddenly it's a whole new playing field and Christian and Tara come to a final resolution about their relationship.

Auditions for the National Ballet Company have arrived bringing superstitions, old competitive battlelines and the performance that will determine the rest of their lives.

In their Company interviews the students finally learn if they will receive a professional contract with the National Ballet Company.