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Hell on Wheels didn't turn into a great drama, but it settled into a distinctive groove, growing more relaxed and confident by the week.
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At the end of the day, Hell on Wheels is beautifully-filmed project that offers exceptional attention to detail on everything but the main character.
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I found parts of this series I could get invested in. You might find even more. Just don't go in expecting more than heck on wheels.
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Still, for all the unlikely things the Gaytons make happen in order to get their characters into place, and the dogged refusal of a couple of those characters to become interesting at all, the show gathers steam as it goes on.
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In a way it's as paradoxical as its subject: a big, lusty but surprisingly timid look at the bold pioneers and profiteers who ravaged nature to build a nation.
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Not content to exploit their subject's inherent themes, the series' fraternal creators, Joe and Tony Gayton, have adhered them promiscuously, pasting neon Post-it indications of symbolic import in a way that obscures moments of straightforward drama.
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Hell's greatest sin? It's often laugh-out-loud funny.
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It's not quite good (other than The Swede), but it's also not especially bad (though it has occasional terrible moments.
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Like Durant's ideal route, the five episodes I've seen of Hell on Wheels tend to meander a bit.
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The Gaytons have created declamatory cartoons. What they needed was a lot more John Ford and a lot less Cotton Mather.
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While the diverse mix of characters could work to the program's advantage over the long haul, jumping to and fro among them creates a diluted, herky-jerky ride in the early going.
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There's a nagging suspicion that Hell on Wheels, created by Tony and Joe Gayton, doesn't quite know what it wants to be, which may explain why after four hours it seems like a collection of ideas that haven't quite gelled.
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It's a sprawling story, and within that sprawl there are evocative scenes, sweeping vistas, and moments that grab you.
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Hell on Wheels is not a bad show, but it's also not engrossing.
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AMC's sprawling but heavy-handed attempt to revive and redefine the Western (a newly hot TV-development trend) is solemn business indeed, with precious little wit or originality.
Awards & Rankings
User score distribution:
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Positive: 169 out of 193
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Mixed: 11 out of 193
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Negative: 13 out of 193
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Nov 6, 2011
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Nov 8, 2011
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Oct 10, 2013