SummaryCaseworker Heidi Bergman (Julia Roberts) works at a secret government facility to help returning soldiers like Walter Cruz (Stephan James) transition back to civilian life in this psychological thriller based on a fictional podcast.
SummaryCaseworker Heidi Bergman (Julia Roberts) works at a secret government facility to help returning soldiers like Walter Cruz (Stephan James) transition back to civilian life in this psychological thriller based on a fictional podcast.
Each episode of Homecoming is about a half-hour, leaving no room for placeholder sequences or needlessly distracting subplots. Every scene, every character, every development is a key component of a jigsaw puzzle that admittedly takes quite some time to develop into something we can truly see for what it is.
Deliberately paced doesn't necessarily mean boring. I have watched and read stories that escaped my grasp but I didn't automatically blame it on the art. I found "Homecoming" to be extremely watchable and satisfying.
If you exclusively enjoy Marvel action movies or the like of Tom Cruise Reacher films, this superbly intelligent and judiciously tempered drama isn't for you. It is beautifully filmed, directed, acted, paced and structured. A measured drama with a sparse deck of actors that delights with the layered but surprisingly neat story line. Julia Roberts is a revelation but some of the shots you will want to freeze frame or replay just for the visual feast that is Esmail's direction. Lots of delicious hidden motives and cross referencing. Enjoy and relish.
Homecoming is a visually dazzling thriller that plays on memory, the military industrial complex, conspiracy and unchecked government privilege to immediately set the hook as an intriguing, ambitious work of television.
The result is a television series that’s frequently breathtaking. Each frame of Homecoming feels meaningful, and most feel at least vaguely familiar. ... As Homecoming unfurls its mystery through 10 half-hour installments, the stylistic choices can seem more like aesthetic overdecoration than vital components of something fully cohesive. ... It has the potential to expand its story in a way that melds the narrative organically with Esmail’s stylistic flourishes, rather than layering one on top of the other.
Homecoming doesn’t feel all that bleak. With its lean storytelling, contained plot, and focus on characters as opposed to power structures, it makes chaos feel manageable.
Slow at first, the 10-episode Amazon series finds its groove in later episodes, which explore the kind of provocative themes that make this feel like a "Black Mirror" installment stretched into miniseries form.
Though the episodes only run a half-hour each, Homecoming moves at a glacial pace. It finds its groove about four episodes in, and then loses it again.
Not a show for viewers who need explosions and special effects to satisfy their attention spans. If you absorb yourself in this tense, edge of your seat dialogue you will be rewarded by the one of the most gripping, best written and acted (across the board) shows this season,
Interesting premise, but the show seems more focused on teasing a climax that never actually happens than the follow through. The set-up is good enough to keep the viewer intrigued but there isn't much of anything in terms of original, interesting, well-executed content in the last couple episodes. The final episode tries to recover with a meaningful finish, but the finish is built on a faulty foundation. The relationship that this show wants you to focus on, that's meant to make all the show's shortcomings worth it, was weak and generic as were its characters. Many of its parts are strong and well executed by the sum of its parts is awkward, incomplete, and ultimately not worth the investment (albeit only 30 minutes per episode). The show needs the viewer to be invested in the main characters and their relationships, but neither are all that strong. For anyone who connected to the characters and found the central relationship genuinely unique, this show might make sense and be worthwhile. But for anyone who doesn't "get it", the only thing that makes this show passable is that it's not a movie. Because if it were a movie, it would quite frankly be pretty bad -- an intriguing start with some good acting ends poorly and abruptly, highlighted by a couple of the lead characters being highly one-dimensional.
Interesting plot but it runs at a slow pace and pretty boring development of the overall story line. Julia Roberts is the best thing about this show, the rest is pretty forgettable.
The others reviews of a sloooow show are spot-on and I did not listen to them to my own detriment. I never knew 30-minutes could feel so long. The "mystery" in the show is puddle deep, but is dragged on and on and on. There is decent acting, but the people they portray don't act like real humans. If this was a 2hr movie, it would still have thin plot and not much else going for it. If you want entertainment or a thinker, look elsewhere.
Honestly, the only reason I finished this dreary, boring, death march of a program was because I adore Julia Roberts. There is no other excuse for wasting that much of my life on a show so snail paced and ultimately unsatisfying. If you are not someone who has to watch everything Ms. Roberts is in, avoid this like the plague. Predictably, critics love it. It seems these days that any film or TV show that offers even a glimmer of entertainment value is shunned by the critical community while stuff like this is showered with praise. Don't believe the hype.
And contrary to what a couple of reviews have inferred here, while I truly disliked this empty void of a series, I am a grown-up with an appreciation for Film/TV (or at least my Masters degree in these disciplines suggests it) and I work in the industry. So, it's not that I'm some ignorant plebeian incapable of appreciating "great art" as these seeming elitist prats would have you believe. It's just that the show really is not good.