SummaryThe "Big Mouth" spinoff series looks at the lives of Hormone Monsters, Depression Kitties, Shame Wizards and the other creatures that guide humans through their own lives.
SummaryThe "Big Mouth" spinoff series looks at the lives of Hormone Monsters, Depression Kitties, Shame Wizards and the other creatures that guide humans through their own lives.
Human Resources not only crafts funnier moments and stronger stories [than Big Mouth], but it also creates more delicious chaos around the emotions and hormonal imbalances its various monsters and creatures are meant to represent, saying even more about how we as humans relate to our feelings.
It’s worth watching on its own, but only by watching the episodes leading to it will an audience member achieve the full experience. And it’s fully an experience worth having.
"Human Resources" is an excellent addition to the world of "Big Mouth," providing a fascinating look at the lives of the creatures that guide humans through their most challenging moments. The show's first season is a standout success, with each episode offering a unique and hilarious take on the struggles of adolescence.
The characters are a delight, with the Hormone Monsters, Depression Kitties, and Shame Wizards stealing the show with their witty one-liners and well-crafted personalities. The animation is also top-notch, with each creature's design perfectly capturing their essence.
What sets "Human Resources" apart from "Big Mouth" is its focus on the creatures themselves. While "Big Mouth" often centers on the human characters and their experiences, "Human Resources" takes a step back and explores the world of the Hormone Monsters, Depression Kitties, and Shame Wizards. This fresh perspective offers a new and exciting way to look at the characters we've come to know and love.
Overall, "Human Resources" is a must-watch for fans of "Big Mouth" and anyone looking for a fresh and hilarious take on the trials and tribulations of growing up. With its sharp writing, memorable characters, and outstanding animation, this spinoff series earns a well-deserved 9/10 rating.
This first season is a decent opener and they have enough new characters that are fun to watch especially the Logic Rock and Keith from Grief. The jokes are still a mile a minute.
Human Resources introduces the brash, imaginative, and at times, genuinely insane comedy that Big Mouth boasts, once again taking weighty, vulnerable topics and exploring them with bombast and (perhaps a little too much) confidence.
Human Resources proves that there’s both comedy and poignancy yet to be mined from the impulse-creature conceit, even if it can’t fully expunge the aura of being an arbitrary spin-off.
The result is a show that’s pretty consistently hilarious, if you like the deranged thing Big Mouth does, but inconsistently involving on the emotional levels that make Big Mouth so special.
Human Resources is by no means a bad show. If you love Big Mouth, it has the same humor and characters that first made you a fan. But it’s also not a show that lives up to its full potential.
If you ever asked yourself "What would it be like if Big Mouth got re-heated and made into a 'The Office' Mash-up, but would keep the below-the-girdle humor birthed out of Nick Kroll's smash hit "adult" animation about some strange kids **** it and making up monsters to explain their puberty-ridden brains?" look no further.
Because your wet dream has come true and can be marveled at the push of a button on Netflix in ten easily digestible episodes that feature some new monster types and show you what you never wanted to know about them, casting some of the B-Type actors you won't recognize the voices of had you not read who they are in the credits.
I give this derivative office spin-off 5 out of 10 max possible little hairy appendages that look like genitalia.
It’s not bad, it’s just very second-rate as the spin-off from Big Mouth. With a show set in the monster realm of Big Mouth, I wish it had more Murray and Connie and less everyone else.
It’s a large, new cast with a few returners from Big smooth but just doesn’t hit the mark.