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- BBC America
- Feb 27, 2022
- BBC America
- Feb 27, 2022
- BBC America
- Feb 27, 2022
- BBC America
- Feb 27, 2022
Where to Watch
Season Episodes
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Top Cast
Metascore
Mixed or Average
Based on 14 Critic Reviews
55
29% Positive
4 Reviews
4 Reviews
71% Mixed
10 Reviews
10 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Mixed or Average
Based on 14 Critic Reviews
55
29% Positive
4 Reviews
4 Reviews
71% Mixed
10 Reviews
10 Reviews
0% Negative
0 Reviews
0 Reviews
[Season 4] has a firmer grasp on its storyline from the get-go.
Liberated from the political labyrinth of the mole-infested MI6 and the people working there, Eve tracks down leads on the Twelve through Villanelle’s signature methods of violence, deceit, and stylish disguises. ... Cromer’s performance has emphasized the childlike aspects of Villanelle since her façade of confidence began to crumble last season, and her journey this season presents a darkly humorous take on what faith and forgiveness mean for someone whose brain is hardwired to not feel remorse.
User Score
Mixed or Average
Based on 16 User Ratings
5.1
38% Positive
6 Ratings
6 Ratings
25% Mixed
4 Ratings
4 Ratings
38% Negative
6 Ratings
6 Ratings
User Score
Mixed or Average
Based on 16 User Ratings
5.1
38% Positive
6 Ratings
6 Ratings
25% Mixed
4 Ratings
4 Ratings
38% Negative
6 Ratings
6 Ratings
bad
[ bad ]
adjective, worse, worst;(Slang) bad·der, bad·dest for 36.
not good in any manner or degree.
Report
SEASON 4
The programme is entertaining, and no viewer will regret spending an hour or two with it. But it’s hard not to expect and want something more from a project with this calibre of performers; it shouldn’t just be “fine”.
While it’s hard to say based on only three episodes that the show is anywhere near back to the heights of the beloved first season of the series, Neal has a steady handle on what works on Killing Eve. ... The show is at its best when it’s as off-kilter as Comer’s performance as Villanelle, and the first three hours capture that tone only sporadically
Like a bad romance, “Killing Eve” is keeping its couple apart without logical or emotional justification. In the process, it’s dulled the spark provided by these two excellent actors as well as the tension sustained by their taste for danger.
Both she [Comer] and Oh are doing their damnedest to save scripts that appear to have a surface-level engagement with the central conflicts of the series.
Killing Eve at its peak was a dizzying victory for style over substance. Now the substance is gone and all remains is empty dazzle.
