SummaryIn New York City's Hell's Kitchen neighborhood, Matt Murdock (Charlie Cox) fights for justice as a blind lawyer in the daylight and as Daredevil at night.
SummaryIn New York City's Hell's Kitchen neighborhood, Matt Murdock (Charlie Cox) fights for justice as a blind lawyer in the daylight and as Daredevil at night.
Creator/executive producer Drew Goddard (“Cabin in the Woods”) serves up a dark, edgy, violent and, at times, gruesome series that has some teeth to it.
Bernthal and Yung make Castle and Elektra an effective season-long two-pronged assault on Matt Murdock’s heroic identity, which gives Daredevil’s supporting characters a clearer purpose as well.
Una adaptación lo suficientemente eficiente como para representar al daredevil de los cómics y a su vez desarrollar a sus personajes secundarios de una forma más profunda, que aún tomando mucho tiempo en pantalla, logra mantener la atención del espectador y provoca el deseo de ver más historias de los personajes secundarios que rodean a Daredevil.
Pensando en el presupuesto del programa, lo logrado es excelente, llegando a ser mucho mejor que megaproducciones más actuales de Marvel, con un presupuesto totalmente superior.
Los actores encajan con los personajes de los cómics y las escenas de combate están muy bien logradas.
Kingpin fue perfecto como villano para la serie de Daredevil, hubo grandes escenas entre Daredevil y Kingpin, con gran sinergia entre los actores que los interpretan.
Netflix’s Daredevil makes the case that not all superhero shows are created equal and this one improves markedly on both the previous “Daredevil” movie and the other, current Marvel universe TV series.
The pulpy style and brutality (torture is one of Daredevil’s tools) clearly seek a higher sense of realism, which must be balanced against the notion of a blind superhero who can shimmy up walls and whose spectacularly hearing lets him to function, among other things, as a human lie detector. Helpfully, Cox brings the necessary mix of grit and Marvel-esque self-doubts to the dual role.
So much about Marvel’s Daredevil works exactly the way it’s intended, including the pace of the action and the extent and style of the gore. What still doesn’t work--what almost never works where the name Marvel and live-action film/TV meet--is the hammy dialogue, especially when characters express their feelings to one another.
The series gets off to a slow start, parceling out bits of the title character’s origin story over flashbacks in the first two episodes, and taking its time to introduce the supporting cast. But once Vincent D’Onofrio appears onscreen as Wilson Fisk, the dapper crime-boss villain known in the Marvel comic books as Kingpin, things pick up considerably, and Fisk turns out to be an even more fascinating and complex character than the protagonist.
Ultimately it’s very purple in its prose, yearning to be film noir, but--lacking the writing or grit to achieve that--playing more like hokey blood porn.
Soooo incredibly boring. 10 mins on average of action for 45 mins of bland dialogue. Way too much time spent with Foggy and Karen who are as fun to watch as paint drying. This would be better if produced as a 30 min program instead of trying to justify being an hour long. The second season picks up with the introduction of The Punisher but quickly regresses to it's familiar antics. If the pacing were better it would be a great show
i personally think this show is extremely overrated. it acts like it's telling a deep complex story but it's really don't, the casting decisions are questionable like casting a French actress - Elodie Yung to play as Elektra, but her accent is what takes me out of the show so i couldn't invest in her. Jen Gardner is still and always be my definitive live action Elektra, she's still the person that i envision when reading Elektra comics and jen is a much better actress as well. Elodie is the gal Godot to Elektra she can't act, she can't develop an American accent like other foreign actors and actresses like the Scottish actor James McAvoy and countless other better actors and actresses and just poorly casted for the role, she doesn't even look like Elektra. just many other problems like this plague the show. the show reuses rejected concept designs from 2003 daredevil film like the shirt the covers half of his face if u have 2003's daredevil movie in the special features: making daredevil and creating daredevil documentaries; alot of the earlier designs made it into this show. bullseye costume looks like a exact replica of daredevil just in in blue shading and a bullseyes logo above his head it cheap and lazy nothing stands out and when they're fighting each other in the dark u can't tell who's who. and its way too serious there's no time to breathe and bond with the characters. this show is like the danial criag's 007 to daredevil nobody seems to be in character. there's nothing relatable about this version, when compared to the to 2003's daredevil and its sets up shows of other characters that has nothing to do with the story and the plot of the episodes just like modern mcu how it sets up future projects for other characters. i don't like the cast alot of them are miscast and don't portray the character properly. there's one scene of Charlie cox tossing away his cane and running in high speed, u know the signature weapon of daredevil u know, the same weapon that he uses to blend in and uses as a grapple hooking to swing across buildings to buildings just little things that's out of character takes me out of the show and roll my eyes to.