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CRITIC SCORE DISTRIBUTION | ||
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Positive:
61
Mixed:
5
Negative:
0
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Critic Reviews
IndieWireOct 10, 2017
Season 3 Review:
More often than not, Mr. Robot is not a show which invites you to buy in. It’s standoffish, reticent, only willing to make you care when prodded to do so, and even then it will resist. Yet if you are willing to engage, willing to challenge yourself, it’s some of the most fascinating television happening right now.
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Season 2 Review:
Mr. Robot remains one of the most dizzying, intoxicating, challenging shows on television, a gripping look at mental illness and brilliance run amok, tied to an essentially sweet, if damaged, character. It’s a show that poses Big Questions and dares to leave them hanging.
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Season 3 Review:
Mr. Robot is must-watch again. ... Mostly it's just a welcome relief to tune into Mr. Robot and have it take off immediately in creative, smart and adrenaline-fueling directions. The writing and plotting is spot-on, the directing brilliant and once again Malek proves, in almost every scene, how utterly essential he is to everything working.
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TV Guide MagazineJul 22, 2016
Season 2 Review:
Sam Esmail’s weirdly mesmerizing cyberthriller continues to pull off an audacious feat of boldly original, eerily relevant and daringly surreal storytelling, reminiscent of the visionary cinema of the 1970s. [25 Jul-7 Aug 2016, p.14]
Season 2 Review:
There are moments (like the aforementioned withdrawal episode) where you think about giving up on it. But those thoughts disappear once the show's surprise is revealed and Elliot recognizes his true purpose. That leads to Season 2's premiere being a thrill ride. ... Mr. Robot has the potential to be [as good as "Breaking Bad."]
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Season 2 Review:
The show’s centerpiece remains Malek’s mesmerizing turn as Elliot, as well as his chemistry with Slater‘s Mr. Robot. Excavating that much emotion from deadpan narration is a tough gig, but Malek continues to find new shades of neutral both in voiceover and in his scenes.
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Season 2 Review:
Esmail's camerawork--characters tucked into corners of the frame, among other nontraditional compositions--continues to give the sense of disorientation and never feels tired. In fact, there are some flourishes in the first two hours that are brilliantly conceived and, with the show's strong sense of sound (both pop songs and smothered, slowed-down and manipulated background noise), contribute to what is one of the most visually remarkable hours on television.
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TV Guide MagazineJul 23, 2015
Season 1 Review:
The summer's most wildly original new series. [27 Jul - 9 Aug 2015, p.12]
Season 1 Review:
You haven't quite seen a performance like Malek's, who drags us deeply into Elliot's wide-eyed psychosis and crushing loneliness, or a hero like Elliot--an unexpectedly sympathetic morphine addict with a history of delusions and psychotic breaks.... Who knows: Eventually he might even explain that title. Until then, enjoy a show that just might end up being named one of the summer's best.
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Season 4 Review:
Season four is the culmination of everything Esmail has built to date, plus everything he learned on his best work as a director, the Amazon military-conspiracy thriller Homecoming. Perhaps the most impressive thing about it is that Esmail’s virtuosity is laser-focused, to the point where he can toss off flourishes that would’ve been the look-at-this centerpiece of a season-one episode.
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Season 4 Review:
Some [episodes] are excellent, some strain credibility to the breaking point (a familiar trait in later seasons, but not so damaging as to seriously dent the show's reputation), some feel uniquely contemplative and odd, others seem alive with forward momentum. It's a strong start, but it's very clearly the end that will matter.
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Season 2 Review:
The two-hour Season 2 premiere, airing Wednesday night, is as stylish and well-performed as any in Season 1, but it is also confusing, burdened by the series’ dense backstory and intricate, time-skipping structure. The new season will surely rev up: Malek’s performance remains excellent.
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Season 2 Review:
The show loses steam when it leaves Elliot to concentrate on other characters, many of whom speak in grad-student aphorisms about power and delusion.... But the result is still riveting, sinister fun. Mr. Robot has a bouncy energy and an exhilarating sense of verbal, visual, and musical play that makes its bleakness palatable.
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Season 2 Review:
With just two episodes made available for review, it’s difficult to say yet whether or not Mr. Robot will be able to produce a second season as wild and seductive as the first. But the show remains an artfully constructed receptacle for our cyber-paranoia, whether directed at the government, or capitalism, or technology, or most pressingly, one’s ability to betray oneself, with hallucinations or selective memory or--worst of all--a self-serving notion of the right thing to do.
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ColliderJul 11, 2016
Season 2 Review:
Mr. Robot is as sly and clever as ever, calling out the shallow nature of a life controlled by advertising and the comfort of a life on auto-pilot. It challenges us, but also Elliot himself, and his choices, as he considers the harm he’s done his old boss, Gideon Goddard (Michel Gill).
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Season 1 Review:
As written by Sam Esmail, this has the jittery feel of a British thriller, and an absurdist sense of entrenched interests vs. a weird insurgency: a conceit that vaguely recalls Terry Gilliam’s “Brazil.” While commercial prospects appear hazy, it’s hard to remember the last time USA put on anything more intriguing.
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Season 1 Review:
With only a single episode available for preview, it's difficult to gauge what Esmail will do with that time and how much Slater (in the pilot, a goofy oddball) will alter the tone. But fans of smart thrillers, and tortured heroes, will want to stick around to find out.
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Season 4 Review:
The star [Rami Malek] won an Oscar for his work in "Bohemian Rhapsody" during his hiatus from "Mr. Robot"; his work in this series continues to prove that wasn't a fluke. ... And yet, the fourth season episodes provided for review show “Mr. Robot” taking a conventional approach to landing the story.
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Season 1 Review:
What’s less clear is how interesting this premise will actually be, as Elliot asks lots of reasonable questions and Mr. Robot offers few, if any, satisfying answers, which could get tedious. Malek is an actor worth watching, though, and he is well-suited to his character’s quirks.
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UPROXXOct 10, 2017
Season 3 Review:
There are so many interlocking agendas and conspiracies and secrets that the show feels more like work than it originally did, no matter how much Esmail tries to pare things back to the basics. Beat to beat, it can still knock me off my chair, but then we get back to keeping track of who’s really loyal to whom, when Angela might or might not be telling the truth, or what Tyrell’s motivations are, and the episodes can start feeling much longer than they actually are.
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ColliderOct 10, 2017
Season 3 Review:
The moments where Elliot hacks into systems and works to bring down corruption in globe-spanning corporations is exciting, compelling, and intense. The show works hard to get those moments right, and it pays off. Much of the rest, though, can feel like when Elliot loses time to the obscure machinations of Mr. Robot before getting back to business.
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Season 2 Review:
Things are much murkier, and the question of whether the show will recover its focus or remain mired in psychological trauma will define whether season two succeeds or fails. Malek’s hollow-eyed charisma can redeem a hero who’s deeply troubled but essentially noble in purpose; it can’t carry a show whose defining quality is cynicism.
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